Author’s return n
Director brings work of Lao She to stage againn
A loyal fan of Lao She (18991966), one of China’s most significant authors, Chinese director and actor Fang Xu is back with another stage production, Mr Ma and Son, based on the novel with the same title.
The play will debut at Capital Theater on Nov 16 and 17, and then travel to Shanghai for stagings on Dec 3 and 4. Fang has previously adapted three other Lao She works into plays.
Mr Ma and Son draws largely on Lao She’ s own experience when he taught Mandarin classes at the University of London from 1924 to 1929.
The novel gives a unique view of what life was like for Chinese people in 1920s London by telling the story of Mr Ma and his son Ma Wei, who run an antiques shop nestled in a quiet street by St Paul’s Cathedral. Far from their native Beijing, they struggle to adapt into the Western society of the 1920s. The father and son also experience unexpected love affairs with their landlord Mrs Wed der burn and her daughter Mary.
Lao She, whose original name was Shu Qingchun, is known for his style grounded in the dialect and culture of old Beijing. His best-known works, such as Teahouse and Rickshaw Boy, have been adapted into movies, TV series and plays in China and have been read in translation around the world.
Mr Ma and Son was adapted as a TV drama in 1999, starring renowned Chinese actors Chen Daoming and Liang Guanhua.
It was published in English by Penguin Classics in 2013.
“Though it is about overseas Chinese in the 1920s, a century later it still appeals to contemporary readers and connects with people. There are lots of Chinese people living abroad, who share the same struggles. The relationship between father and son also resonates with the audiences,” says Fang, who is the director, scriptwriter and plays the role of Mr Ma in the play.
The cast members are all male actors, including Liu Xinran, a Peking Opera actor known for nan dan (men playing women’s roles), as Mrs Wedderburn.
“The play will have a surprising chemistry with the allmale cast. It will leave space for the audiences to imagine,” Fang says.
The stage will be dominated by a huge newspaper, which the director says is a symbol of Londoni n the 1920s. Fang also invited a band to perform live onstage.
“Music serves as a character along with the other actors,” he says.
The 50-year-old graduated
The characters in his works remind me of my neighbors in the hutong when I was a child,” Fang Xu, director and actor
from the directing department of the Central Academy of Drama. A Beijing native who spent his youth in a courtyard of a populated hutong area, he feels connected to Lao She’s stories.
“The characters in his works remind me of my neighbors in the hutong when I was a child. They are so ordinary, vivid and real — fascinating to me,” he says.
In 2012, he performed in one of acclaimed director Lin Zhaohua’s plays, Five Acts of Life. It was a combination of five short stories by Lao She and depicted both the tragedy and comedy in ordinary people’s lives in early 1900s Beijing.
The same year, Fang started his own adaption of Lao She’s works. His first attempt, a oneman show version of The Life of Mine, tells the sad story of a low-ranking policeman in Beijing in the early 20th century. It was a big success when it premiered at the theater of the Central Academy of Drama.
Then Fang adapted Lao She’s other two novels, Divorce and Cat Country, into plays.
“Fang spent years reading Lao She’s works and delving into those characters,” says the novelist’s 83-year-old daughter, Shu Ji. “I hope he can have his own theater company and venue and keep adapting Lao She’s works.”
Fang Xu portrays different roles in his adaptions of Lao She’s works.