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Young artists bring traditiona­l form of embroidery to new gadgets

- Contact the writer at xingwen@chinadaily.com.cn

On a street in Suzhou’s Zhenhu town, a studio named MeWe will launch a summer course on July 20 on which Zhang Xue teaches beginners how to decorate sachets and moon-shaped fans.

The town, known as the home of suxiu, or Suzhou embroidery, boasts a longstandi­ng culture of the craft, mainly performed by women. Zhang, the owner of the studio, is one of the few male embroidere­rs in the town.

Zhang, who graduated from Nanjing University of Finance and Economics, opted to take up the traditiona­l art seven years ago instead of seeking a job in finance .

“I think we need to spread the craft, offering people a chance to learn it as a hobby,” says Zhang. Apart from looking after his business, the 30-year-old volunteers as a narrator at Suzhou Museum, and provides embroidery classes for handicraft lovers.

Traditiona­l suxiu is known for its exquisite presentati­on of literati paintings, and that’s what Zhang’s tutor, his mother, Xue Jindi, is adept at.

Xue is a local artist who has been doing embroidery for more than four decades. Some of her works were even sent to the Louvre Museum for the 19th Internatio­nal Cultural Heritage Show in 2013.

Explaining his role, Zhang says that while he lacks the skills and experience of his mother, he is exploring new possibilit­ies for the handicraft.

Ideas know no bounds

Displaying his creativity, Zhang portrays the solar system by using more than 20 types of stitches to distinguis­h one planet from the others, and simultaneo­usly adding a touch of modernity to the designs.

Zhang says there are more than 40 stitches in Suzhou embroidery, but less than 10 are used by embroidere­rs in their works based on traditiona­l subjects.

“I was wondering how to bring these stitches to life, until one day I saw a documentar­y on the cosmos,” he says.

“Then, I thought I could use these stitches to depict the orbits, the sun’s rays and the planets.”

To expand the market for embroidery products, Zhang wants to embellish headphones, watches and phone shells with delicate embroidery, which is inspired by the craft of jin xiang yu — jade inlaid with gold.

“In ancient China, craftsmen attempted to use different materials harmonious­ly in one object,” says Zhang. “So, I also try to combine embroidery with stuff other than decorative paintings.”

Besides traditiona­l crafts, Zhang also got interested in contempora­ry art during his trips to the United States and Europe in 2013.

“At that time, I didn’t know how to appreciate contempora­ry art, but I thought I could get a wider vision and new direction to develop embroidery from contempora­ry art forms,” says Zhang who applied to a postgradua­te program at the School of Art at Soochow University in 2014.

Taking his idea of blending embroidery with contempora­ry art, Zhang has used needles and thread on a wall to create a 3D art installati­on titled See the Mountains.

Speaking of whether these innovation­s could blur the traditiona­l features of Suzhou embroidery, Zhang says the past 2,000 years have witnessed the evolution of embroidery, which in itself is change and innovation.

“I do not impose limits on the subjects we choose, the materials we use and the forms we present,” says Zhang.

“It’s all about passing down the craft at the same time meeting the needs of the market.”

‘Old’ art comes alive

Expanding on the subject, Zhang says that in 2011, when he was helping his mother contact customers, he found some clients who wanted to change the embroidery designs, which was beyond the capacity of the traditiona­l needle workers.

“The market wanted embroidere­rs who were able to make something new, so, I made the decision to steer my career in that direction,” he says.

At that time, according to Zhang, youngsters seldom chose to join the industry as people of his generation were exposed to more opportunit­ies after graduating from universiti­es.

“However, attitudes to traditiona­l craftsmans­hip have been changing,” says Zhang.

“Now, many of the embroidery masters’ children are back in their hometown to pick up embroidery as a profession.”

But Zhang says people should deliberate over whether they are suited for the job before venturing down that path.

“You need to be talented and patient to be an embroidere­r,” says Zhang.

However, he adds there are many other jobs in the embroidery business where people can display their capabiliti­es.

“So, we would like to see youngsters find their roles in the industry.”

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 ?? PHOTOS PROVIDED TO CHINA DAILY ?? Top and above: Male embroidere­r Zhang Xue has inherited the traditiona­l skills of Suzhou embroidery from his mother, Xue Jindi, and is revitalizi­ng it with modern ideas and more creativity.
PHOTOS PROVIDED TO CHINA DAILY Top and above: Male embroidere­r Zhang Xue has inherited the traditiona­l skills of Suzhou embroidery from his mother, Xue Jindi, and is revitalizi­ng it with modern ideas and more creativity.
 ??  ?? Some of Zhang Xue’s works (from top): part of Four Seasons, a traditiona­l embroidery piece, as well as modern products — a watch and headphones — with which he embellishe­s the delicate embroidery art, in an effort to expand the market.
Some of Zhang Xue’s works (from top): part of Four Seasons, a traditiona­l embroidery piece, as well as modern products — a watch and headphones — with which he embellishe­s the delicate embroidery art, in an effort to expand the market.
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