Yundi & War­saw Phil­har­monic Or­ches­tra

Global Times – Metro Shanghai - - CLASSIFIEDS -

Li Yundi was pro­pelled onto the in­ter­na­tional stage when he won first prize at the XIV Chopin In­ter­na­tional Piano Com­pe­ti­tion at the age of 18, be­com­ing the youngest and first Chi­nese win­ner in the his­tory of the renowned com­pe­ti­tion. Since then, Li has been re­garded as a lead­ing ex­po­nent of Chopin’s mu­sic. The New York Times praised his per­for­mances: “the bril­liant young Chi­nese pi­anist has proved a tech­ni­cally as­tound­ing pi­anist who is by turns el­e­gant and ram­bunc­tious, coolly ex­pres­sive and white-hot.” For his reg­u­lar recital tours, Yundi per­forms at many pres­ti­gious venues and fes­ti­vals. In ad­di­tion, orches­tras and con­duc­tors with whom he has col­lab­o­rated in­clude the Ber­liner Phil­har­moniker and Seiji Ozawa. He has also per­formed with the Na­tional Sym­phony Or­ches­tra (Wash­ing­ton), Philadel­phia Or­ches­tra, Toronto Sym­phony and NHK Sym­phony. War­saw Phil­har­monic gave its first con­cert on Novem­ber 5, 1901 in the Phil­har­monic’s newly built con­cert hall. The Or­ches­tra was con­ducted by Emil Mły­narski – co-founder, first mu­sic di­rec­tor and res­i­dent con­duc­tor of the Phil­har­monic, while the solo part was played by Ig­nacy Jan Paderewski. Un­der its new di­rec­tor Wi­told Row­icki, War­saw Phil­har­monic re­gained the rep­u­ta­tion of Poland’s lead­ing sym­phony or­ches­tra. Date: Septem­ber 5, 7:30 pm Venue: Shang­hai Ori­en­tal Art Cen­terഏ ݡ ױ١ၣඓᇖྖ Ad­dress: 425 Dingx­i­ang Road

ק བྷ੥425ރ Ad­mis­sion: 80 yuan to 1,280 yuan Call 6854-1234 for more de­tails

Verdi: Aida Shang­hai Opera House Cho­rus and the Shang­hai Opera House Or­ches­tra will present their ren­di­tion of Verdi’s clas­sic opera Aida at Shang­hai Grand The­atre in Septem­ber. Aida is an opera in four acts by Giuseppe Verdi to an Ital­ian li­bretto by An­to­nio Ghis­lanzoni. To­day the work holds a cen­tral place in the oper­atic canon, re­ceiv­ing per­for­mances ev­ery year around the world; at New York’s Metropoli­tan Opera alone, Aida has been per­formed for more than 1,100 times since 1886. A meet­ing of cul­tures, the Shang­hai pro­duc­tion will be per­formed by more than 300 Shang­haibased artists in Ital­ian and Eng­lish with Chi­nese sub­ti­tles. Date: Septem­ber 15 to 17, 7:15 pm Venue: Shang­hai Grand The­atre Lyric The­atre ഏ ݡ սझᄄսझӍ Ad­dress: 300 Peo­ple’s Av­enue ಭ૽ս֨300ރ Ad­mis­sion: 80 yuan to 880 yuan Call 6386-8686 for more de­tails

St. Pe­ters­burg Eif­man Bal­let: Rodin and Anna Karen­ina

Boris Eif­man’s new bal­let, Rodin, is ded­i­cated to the life and cre­ative work of the great sculp­tor Au­guste Rodin and his ap­pren­tice, lover and muse, Camille Claudel.

Rodin is a mas­sive artis­tic ut­ter­ance about the tragic na­ture of the lives of ge­niuses. With the help of the unique body lan­guage of the modern psy­cho­log­i­cal bal­let, which the chore­og­ra­pher honed in pre­vi­ous works, Eif­man presents a new con­cep­tion of the world of hu­man pas­sions stud­ied mas­ter­fully by Rodin and Claudel in their works, and also cre­ates a mas­ter­piece ded­i­cated to the in­com­pre­hen­si­ble mys­tery of the cre­ative process. Boris Eif­man’s bal­let Anna Karen­ina is a true burst of in­ner psy­cho­log­i­cal en­ergy and is amaz­ingly pre­cise in de­liv­er­ing emo­tional im­pact upon its view­ers. By set­ting aside all sec­ondary sto­ry­lines in Leo Tol­stoy’s novel, the chore­og­ra­pher fo­cused on the love tri­an­gle “Anna – Karenin – Vron­sky.” Us­ing dance lan­guage, Boris Eif­man in his bal­let man­aged to por­tray the drama of a woman be­ing re­born. Ac­cord­ing to the chore­og­ra­pher, it is the love pas­sion, the “ba­sic in­stinct” which has led the hero­ine to the breach of the then cur­rent norms of so­cial moral­ity, killed moth­erly love in Anna Karen­ina and de­stroyed her in­ner world. Eif­man Bal­let of St. Pe­ters­burg was es­tab­lished by Boris Eif­man in 1977. To­day Eif­man Bal­let of St. Pe­ters­burg is renowned among bal­let lovers all over the world for such reper­toires as Tchaikovsky; Red Giselle,

Anna Karen­ina, and Re­quiem. These works not only rep­re­sent the high­est artis­tic level of achieve­ments of the con­tem­po­rary Rus­sian bal­let, but also turn the au­di­ence to the im­mor­tal spir­i­tual her­itage of Rus­sian and world cul­ture that in­spired the chore­og­ra­pher and his dancers. Boris Eif­man, the founder of Eif­man Bal­let, is re­garded as one of the lead­ing chore­og­ra­phers in the world. He has cre­ated more than forty bal­let per­for­mances and ob­tained hon­orary ti­tles such as the Peo­ple’s Artist of Rus­sia, the Lau­re­ate of the State Prize of the Rus­sian Fed­er­a­tion and many oth­ers. Form­ing a spe­cial and in­no­va­tive reper­toire based upon the rich tra­di­tions of Rus­sian psy­cho­log­i­cal the­ater, and new chore­og­ra­phy of the 21st cen­tury are among the key pri­or­i­ties within the artis­tic mis­sion of Boris Eif­man and his com­pany. He de­fines his genre as “psy­cho­log­i­cal bal­let.” Date: Septem­ber 7 to 10, 7:15 pm

Venue: Shang­hai Ori­en­tal Art Cen­ter ഏ ྖᇖඓၣ١ױݡ Ad­dress: 425 Dingx­i­ang Road ק བྷ੥425ރ Ad­mis­sion: 80 yuan to 1,280 yuan Call 6854-1234 for more de­tails

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