Ex­hi­bi­tions

Global Times – Metro Shanghai - - CLASSIFIEDS -

PSA Col­lec­tion Se­ries – Li Shan

This event com­pre­hen­sively fo­cuses on Li Shan’s BioArt-themed projects, a first in China. Among the pieces on dis­play, two in­volve liv­ing or­gan­isms, while the re­main­ing are plans, sketches, drawings and doc­u­ments about his BioArt projects. The core think­ing be­hind Li’s work is about creat­ing con­di­tions for ran­dom ex­pres­sions, while gene mod­i­fi­ca­tion has be­come the dom­i­nant con­trol method for the con­di­tion of cre­ation. The artist is hop­ing to ex­ceed the bound­aries of art, and evoke a large-scale dis­cus­sion on top­ics from bio-art to hu­man des­tiny. Rather than pro­vid­ing a new ap­proach for us to un­der­stand art, his new genre is a test for hu­man thoughts and at­ti­tudes. One of China’s con­tem­po­rary artists, Li Shan has also been known as the pi­o­neer of BioArt. Gong Yan is the cu­ra­tor of the ex­hi­bi­tion, di­rec­tor of Power Sta­tion of Art. Date: Un­til Novem­ber 30, Tues­day to Sun­day, 11 am – 7 pm Venue: Power Sta­tion of Art

Rem­brandt, Ver­meer and Hals in the Dutch Golden Age: Mas­ter­pieces from The Lei­den Col­lec­tion

The Lei­den Col­lec­tion and Long Mu­seum (West Bund) an­nounce an ex­hi­bi­tion of mas­ter­pieces from the cel­e­brated Lei­den Col­lec­tion, the largest and most im­por­tant pri­vate col­lec­tion of paint­ings from the Dutch Golden Age. The ex­hi­bi­tion will open on Septem­ber 23 and con­tinue through Fe­bru­ary 25, 2018. It will fea­ture 78 works, the largest show­ing of 17-cen­tury Dutch art ever pre­sented in China. The selections will com­prise 12 works by Rem­brandt, one paint­ing by Jo­hannes Ver­meer and two por­trait paint­ings by Frans Hals, as well as mas­ter­pieces by other artists from the pe­riod. The ex­hi­bi­tion also fea­tures four paint­ings by Rem­brandt’s stu­dio-mate in Lei­den and friendly ri­val, Jan Lievens; a paint­ing by Rem­brandt’s pupil Carel Fabri­tius, Ha­gar and the An­gel, which is one of only 13 sur­viv­ing works by the cre­ator of The Goldfinch; nine paint­ings by Rem­brandt’s first and most in­flu­en­tial stu­dent Ger­rit Dou; and six works by Jan Steen, one of the most ac­com­plished genre painters of his era. Lara Yea­ger-Cras­selt is the cu­ra­tor of The Lei­den Col­lec­tion. She earned her PhD in art history from the Univer­sity of Mary­land with a spe­cialty in 17-cen­tury Dutch and Flem­ish art. Date: Septem­ber 23 to Fe­bru­ary 25, 2018; 10 am to 6 pm, Tues­day to Sun­day Venue: Long Mu­seum (West Bund)

Mir­a­cle: The Bellini Fam­ily and the Re­nais­sance

Col­lec­tively or­ga­nized by Shang­hai Hi­malayas Mu­seum, Bellini Mu­seum and Museo Ideale Leonardo Da Vinci, Mir­a­cle: the Bellini Fam­ily and the Re­nais­sance will be pre­sented at Shang­hai Hi­malayas Mu­seum un­til De­cem­ber 23, 2017. Cu­rated by Luigi Bellini, di­rec­tor of the Bellini Mu­seum and the 21st gen­er­a­tion suc­ces­sor of the Bellini Fam­ily, and Shen Qibin, found­ing di­rec­tor and chair­man of the board of the Shang­hai Hi­malayas Mu­seum, the ex­hi­bi­tion will fea­ture 459 mas­ter­pieces of art from the Re­nais­sance on­ward, in­clud­ing paint­ings, sculp­tures, manuscripts, fur­ni­ture, dec­o­ra­tions, ta­pes­tries and table­ware as well as crowns from noble fam­i­lies. Other than the pre­sen­ta­tion of art­works and trea­sures, the ex­hi­bi­tion, by the use of new me­dia and AR tech­nolo­gies, will “recre­ate” the Bellini Mu­seum in Shang­hai, of­fer­ing au­di­ence a chance to vividly ex­pe­ri­ence the cul­ture and life scenes of the Floren­tine dur­ing the Re­nais­sance. At the same time, an “ex­hi­bi­tion-within-ex­hi­bi­tion” en­ti­tled Myth and Ri­valry: Leonardo Da Vinci with Michelan­gelo and Raphael, which is cu­rated by Alessan­dro Vez­zosi, di­rec­tor of the Museo Ideale Leonardo Da Vinci, will be pre­sented in line with the ex­hi­bi­tion. Date: Un­til De­cem­ber 23, 2017, Mon­day to Sun­day, 10 am – 6 pm Venue: Shang­hai Hi­malayas Mu­seum

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