展望我既是过去也是现在ZHAN WANG THE PAST AND THE PRESENT

今年 月,由著名策展人南条史生策划的“展望:境象”大展在龙美术馆西岸馆开展。作为艺术家展望创作生涯中至今最大的个展,展览在展出艺术家二十多年来创作的诸多经典之作的同时,也让观者看到了中国雕塑介入国际当代艺术语境的一条清晰脉络。 Recently, the Long Museum hosted Forms in Flux, curated by Fumio Nanjio, a solo exhibition of artist Zhan Wang. It is up to date the artist’

Vantage Shanghai - - 目录 - 撰文:杨雅茹Lann Yang 编辑Editor:陈溪 Cecilia Chan

When walking on the exhibit floor of Forms in Flux, audiences are greeted by Wang’s artworks of recent years. This video installation uses six high-definition video cameras to capture the explosion of a huge rock suspended in the air - the scene instantly sparks audiences’ imagination of the spectacular moments described in the universe’s Big Bang Theory. My Universe, on the other hand, recreates the world right after the Big Bang: Stainless steel replicas of the stone blasts are suspended throughout the exhibition space. While walking through the gleaming-surfaced stones, one can get a glimpse of the strong conceptuality of Wang’s art. Two other pieces of Wang’s artwork in the exhibit hall are The Invisible and The Invisible Mass. They were created either by decomposing or fusing the production materials used - the goal is to capture the underlying changes and possibilities within nature; they can also be viewed as a form of demonstration as if they were the artist’s “invisible” inner world.

漫步于“展望:境象”展览之中,艺术家展望近几年新作映入眼帘—作品《我的宇宙》记录了几台高速摄像机从六个不同机位拍摄的一块巨石凌空爆炸的景象,让人顿生联想,仿佛看到了浩瀚宇宙诞生之初的壮丽景象。而作品《小宇宙》,更像是这“宇宙”诞生之时的切片:不锈钢材质的碎石被固定在镜面上,光影交错之间,便可窥见展望作品强烈的观念性。

而另两件占据展厅的作品《隐形》和《隐形堆》,则来源于艺术家将其创作材料分解与熔合的过程,意在捕捉那些自然界中潜在的变化与可能性,亦如同艺术家内心世界的“隐形”形态。用展望自己的话来说,这两件作品更像是代表了他“在流体场中的一颗粒子化后的自己”,同时也是在当代艺术社会里生长蜕变后的自我拷问。

左页起顺时针CLOCKWISE FROM LEFT PAGE《应形》Morph《假园》Illusory Garden

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