As Pas­cale Hen­rot and Catherine Tse­ke­nis have ob­ser­ved, ma­ny of the per­for­mers in New Set­tings re­fuse to de­fine them­selves as a cho­reo­gra­pher, say, or a di­rec­tor or sculp­tor. They see them­selves, ra­ther, as ar­tists. We have long been used to en­coun­ters be

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