You de­ci­ded to be­come a cho­reo­gra­pher af­ter wor­king with Phi­lippe De­cou­flé on the ope­ning and clo­sing ce­re­mo­nies on the 1992 Win­ter Olym­pics held in Al­bert­ville. How did you make that choice? I’ve al­ways in­ten­ded to de­ve­lop my own pro­duc­tion. I had al­read

Art Press - - L’INTERVIEW -

From the be­gin­ning your work was dis­tin­gui­shed by the use of philosophy, and par-

DANCE AND DIS­SI­DENCE

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