How do you ex­plain this re­luc­tance? Frank­ly, they re­ject me. I don’t real­ly have an ex­pla­na­tion. Pro­ba­bly be­cause they don’t know my work, be­cause they re­fuse to see it. The news­pa­per Li­bé­ra­tion has ne­ver even men­tio­ned my name. What makes up for that is

Art Press - - L’INTERVIEW -

Has the way you see your own work chan­ged since your last re­tros­pec­tive? Com­mer­cial pho­to­gra­phy is nor­ma­tive, whe­ther it’s for fa­shion, ad­ver­ti­zing, mo­vies or men’s ma­ga­zines like which you wor­ked for. How do you think about codes and ste­reo­types? Is that what dis­tin­guishes you from pho­to­gra­phers like, for example, Da­vid La­Cha­pelle?

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