How do you explain this reluctance? Frankly, they reject me. I don’t really have an explanation. Probably because they don’t know my work, because they refuse to see it. The newspaper Libération has never even mentioned my name. What makes up for that is
Has the way you see your own work changed since your last retrospective? Commercial photography is normative, whether it’s for fashion, advertizing, movies or men’s magazines like which you worked for. How do you think about codes and stereotypes? Is that what distinguishes you from photographers like, for example, David LaChapelle?