On se­ve­ral books, we de­ci­ded to do so­me­thing more au­to­bio­gra­phi­cal. We wrote a sto­ry that took place du­ring the Sur­rea­list years. I’m fas­ci­na­ted by that per­iod, with its joie de vivre and a sense of wor­king on a com­mon pro­ject that doesn’t exist any­more.

Art Press - - INTERVIEW -

What is Serge Bram­ly’s role in all this?

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