BREA­KING DOWN PAR­TI­TIONS

Art Press - - INTRODUCING -

Vi­deo and pain­ting have al­ways co­exis­ted in Be­ne­dict’s work, and the ve­ry pos­si­bi­li­ty of their co-pre­sence tells us about the es­sence of his ap­proach. His ex­hi­bi­tion on the theme of tou­rism in 2012 and 2013 (2) em­pha­si­zed the idea of the cir­cu­la­tion of the image. The point being that whe­ther we see a pain­ting re­pro­du­ced on a pos­tage stamp or on a di­gi­tal screen real­ly doesn’t make much of a dif­fe­rence. The great contem­po­ra­ry ques­tion

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