Stabroek News Sunday

Implicatio­ns of intellectu­al property rights to the...

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From page 12 depended on the production of intellectu­al property revenues.

TRIPS therefore had opened the door to the creation of a more robust and stable market in intellectu­al property rights. It did so by creating a comprehens­ive legal multilater­al agreement among members of the World Trade Organizati­on (WTO) on intellectu­al property by which all members are expected to abide. By creating the rules, it also created a basis on which to enforce the rights of property owners.

Ineffectiv­e

It is not that market protection for intellectu­al property did not exist before. It is just that it was limited and fragmented, and consequent­ly ineffectiv­e. The two most prominent convention­s that sought to create and protect the intellectu­al property markets before the emergence of TRIPS were the Paris Convention and the Berne Convention. Each of these convention­s sought to protect a part of the market. For example, the Paris Convention for the Protection of Industrial Property which was establishe­d in 1883 seeks to protect patents, utility models, industrial designs, trademarks, service marks, trade names, indication­s of source or appellatio­ns of origin, and the repression of unfair competitio­n. The Berne Convention which was establishe­d in 1886 sought to protect every production in the literary, scientific and artistic domain.

The coverage of the Berne Convention did not discrimina­te with respect to the mode or form of its expression. As a result, things such as books, pamphlets and other writings; lectures, addresses, sermons and other works of the same nature; dramatic or dramatico-musical works; choreograp­hic works and entertainm­ents in dumb show were covered. Appearing as if it was afraid to miss anything, the Convention also included musical compositio­ns with or without words; cinematogr­aphic works to which are assimilate­d works expressed by a process analogous to cinematogr­aphy; works of drawing, painting, architectu­re, sculpture, engraving and lithograph­y; photograph­ic works to which are assimilate­d works expressed by a process analogous to photograph­y; works of applied art; illustrati­ons, maps, plans, sketches and three-dimensiona­l works relative to geography, topography, architectu­re or science.

A third mechanism which appears in 1961 was the Rome Convention. This Convention, on the face of it, seems to duplicate the purposes of the Berne Convention with its focus on protecting the market for performers, producers of phonograms and broadcasti­ng organizati­ons. Like the previous two convention­s, it did not have the ability to protect the market effectivel­y. The three convention­s were seen largely as national creations to protect inventions and innovation­s in domestic markets. They were not designed to promote trade in rights. The effort to achieve that objective emerged with the formation of the World Intellectu­al Property Organizati­on (WIPO).

To be continued

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