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ALEXAN­DRA MOR of New York is a force to reckon with, and her se­cret lies in sim­pli­fy­ing and de­con­struct­ing com­plex ideas, to trans­late them into avant-garde clas­sics. She dips into an arse­nal of emo­tions and ex­pe­ri­ences to cre­ate one off om­nipo­tent pieces where gems take a cen­tral seat and the cur­sive me­tal, be it plat­inum or gold, gen­tly works its way into the de­sign to hold the gleam­ing beau­ties.

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