Q. You have interpreted cement rather than imitated it. How?
A. By giving this material added expressive character. Treating all the surfaces carefully, we have given them an original perceptive tone; some of the graphic marks conjure up the human action of weaving and embroidery.
Q. What demands does the design's modularity respond to?
A. The idea of creating an expressive code – or a ceramic alphabet – has always been a particular hallmark of our work, being to do with the idea of generating solutions that are distinctive and potentially unique.