“Frankly, I feel the simplicity of being an agency is lost”
Vineet Bajpai, 39, former Group CEO, TBWA India, and present day chairman, Magnon Group, has written his debut fiction novel ‘Harappa – Curse of the Blood River’, a blend of history, mythology, religion and crime. It took him two years to write it. This is Bajpai’s third book; existing (non-fiction) titles include Build From Scratch, The Street to the Highway and The 30 Something CEO.
Bajpai set up Magnon, a digital agency, in 2000; it was acquired by TBWA after 12 years, giving birth to Magnon\TBWA. Magnon, we learn, has pulled in clients on the back of Bajpai’s books: “...simply because they read my business books and wanted to do business with the author...” Edited Excerpts from an interview with Ashwini Gangal:
You’ve written three business and management related books. What prompted the desire to veer towards fiction?
Creatively exploiting India’s rich history, mythology and heritage has been a missed opportunity. Harappa is an effort in that direction. When we read books written by brilliant western authors like Dan Brown (The Da Vinci Code, Angels and Demons), we love them. The way a contemporary thriller is written around the Knights Templar or the Holy Grail is absolutely mind-blowing. But it compels me to think about the content that can be created around the mystical past of India.
A book like (Brown’s) Inferno takes you on a mysterious trip based on the western classic Dante’s Inferno or The Divine Comedy. But why hasn’t a book ever taken us on a fantasy ride through, say, the great warrior-saint Parashuram’s battle with Sahastrabahu Arjun, the Kshatriya king with a thousand arms? Why hasn’t a book explored the dark and terrifying narratives of the Garuda Puraana?
The work that is being done (around our heritage) can hardly be called fiction. Authors are writing about established and revered characters like Shiva or Rama or Sita or Karna, and are simply reinterpreting - or even misinterpreting! - well-known figures. But the characters in Harappa are all sculpted afresh.
You were 22 when you quit GE India to set up Magnon, an agency you continue to run. What, to your mind, has been the biggest change in the agency business since then?
Frankly, I feel the simplicity of being an agency is lost. When we started as a small but effective digital agency many years ago, we did not work in a complicated environment of resources vs cost vs competition vs build or buy vs vendor vs delivery vs procurement...we worked with clients as close strategic advisors and partners. Clients did not treat us as ‘vendors’. We were their sounding-boards.
But now digital has brought in harsh measurability. With measurability comes contempt, perhaps? Suddenly the world of ‘gut creativity’ and subtle consumer behaviour (analysis) has given way to cold analytics and proof-of-deliverables. It threatens to take the creative ‘purist’ from the business of advertising.
And has the ‘the client’ changed too?
The client has changed in both positive and negative ways. The positive aspects are her sharp eye on every dollar spent and the bang-for-thebuck approach.
The speed at which bright brand managers, marketing heads and CMOs are absorbing the nuances of tech-based advertising and its empirical nature is dazzling. But any debate with your agency on the merits of advertising expertise is drastically counter-productive. Marketing has to be different from advertising – both are specialist zones. The day you feel one of them can outperform the other... will take away the soul from the client-agency partnership.
Before Govind Pandey took over as CEO of TBWA India last January, you ran the agency for close to two years. What was that experience like?
Rewarding. As a young entrepreneur who built a digital agency from scratch, created value around it and sold majority share to a global powerhouse like Omnicom, I was living any advertising/digital entrepreneur’s dream. And then the opportunity to be the Group CEO of a leading multinational network at the age of 35 was a terrific platform.
What’s your take on the matter of pressure of business on agency folk?
The ever-increasing pressure and emphasis on the bottomline and relentless cost-control by procurement teams at the client’s end are compelling agencies to squeeze more from limited resources. This manifests itself in the strain on agency executives.
The problem is compounded by what can sometimes be a regressive ‘agency culture’. Why should ad executives be over-worked at all? If other service-based businesses like software companies or law firms or investment banks can evolve into well-structured, metrics-based workplaces, why can’t advertising?
Here I feel some agencies - and leaders - take pride in the chaos, which will eventually damage the quality or profitability of the creative output.
Many young agency executives want to write books. What advice do you have...
You don’t have to write books on the things you know. As fiction writers, you can write on the things you can imagine... one man combatting a hundred serpents, a woman falling in love with a stone... it’s up to you.
Secondly, remember over 1 lac books are released in India every year; 95 per cent of them don’t sell even a thousand copies. The marketing part is - unfortunately - more critical than the writing part. I don’t want to name writers here, but they write garbage in the name of fiction or mythology, and then spend `2 crore marketing that trash. They are the best-sellers of today.
So if you are planning to write, plan to market as well and marketing will take money, whether we like it or not. ■
“Digital has brought in harsh measurability. With measurability comes contempt, perhaps?” VINEET BAJPAI