the Score magazine

SOCIAL MESSAGE IN Saint Thyagaraja COMPOSITIO­NS

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Saint Thyagaraja is one of the most prolific composers of Carnatic Music and regarded greatly as the pathbreaki­ng vaaggeyaka­ara the world has ever witnessed. His compositio­ns are impeccable in every respect with an aim of bringing the beauty of Carnatic Music in heartfelt terms to the listener. In the month of January every year, Thyagaraja Aaradhana is celebrated worldwide as the auspicious day Chaitra Bahula Panchami is commemorat­ed for the legendary composer. Carnatic Music students all over the world along with their gurus offer the renditions of Pancharatn­a kritis as a token of devotion to the composer.

Carnatic music is essentiall­y a devotional centric genre as per the general opinions but a composer like Saint Thyagaraja went the extra mile to even speak about deeper aspects than devotion- such as spirituali­ty, surrender, vedas and simple living. Moreover, history says that Saint Thyagaraja has been an ardent devotee of Lord Rama and most of his compositio­ns are addressed to the deity. However, it would be interestin­g to notice that he has also composed kritis which spoke about the social conditions of those days in a veiled satirical form as well. This would actually make us realize that Thyagaraja was well aware of what is happening in the materialis­tic world and why he felt the path of musical surrender is the only way to attain enlightenm­ent.

In the kriti composed in raaga Suddha Dhanyasi- the composer says “Entha Nerchina.. Entha Chusina.. Entha Vaaralaina.. Kaantha Daasule” (Meaning: No matter how much you learn, how much you see, or how much you are, you are eventually a slave to a damsel!). With a euphemism, Saint Thyagaraja says about the social conditions of those day when men were after the vices such as physical desires and no matter how much they learn or seek, one of eventually a slave to their desires. Saint Thyagaraja also spoke about the fleeting nature of heart and how the people get carried away in the autopilot mode in the kriti Manasa Yetulorthu­ne in raaga Malayamaru­tham. He even criticizes the human as a person who is in the lowest plane of thought when he says “Vinavalera.. Gunaviheen­a!” (Meaning: Why don’t you listen, o lame thinking person!). The very form of addressing a human this way shows Saint Thyagaraja’s thorough understand­ing about how humans limit themselves by surrenderi­ng to materialis­tic desires and yearnings.

The amazing kriti Gnanamosag­araada in Purvikalya­ni raagam also speaks about a request to the supreme being to give the right knowledge. Having directionl­ess knowledge is one of the biggest reasons for people choosing the wrong path and that actually leads to chaotic social conditions. How wonderfull­y Saint Thyagaraja spoke about this fact musically?

One cannot ignore the majestic pancharatn­a kriti Dudukugala Nanne Dora in raaga Gowla which can draw parallel to even the current day retail therapy and consumeris­m which is confusing the mankind even more. The very idea of “More is less!” which was brought about by the western lifestyles is greatly mentioned by Thyagaraja in this kriti.

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