Su­per­fi­ci fir­ma­te Nor­guet Nor­guet’s new Sur­fa­ces

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La col­le­zio­ne PAD di Lea Ce­ra­mi­che – pro­get­to del de­si­gner fran­ce­se Pa­trick Nor­guet che col­la­bo­ra con l’azien­da dal 2010 – è con­trad­di­stin­ta da trat­ti ir­re­go­la­ri e im­pre­ci­si rea­liz­za­ti su grès la­mi­na­to ul­tra­sot­ti­le in la­stre di tre me­tri per uno, adat­te a spa­zi pub­bli­ci co­me ad am­bien­ti do­me­sti­ci. Le su­per­fi­ci gra­fi­che leg­ger­men­te a ri­lie­vo met­to­no in ri­sal­to la tat­ti­li­tà e la mor­bi­dez­za del­la ma­te­ria ce­ra­mi­ca, evo­can­do di­na­mi­che ti­pi­che del tes­su­to gra­zie ad ac­cor­te sfu­ma­tu­re di co­lo­re. Due i pat­tern de­co­ra­ti­vi astrat­ti, Ta­mis e Oa­kland. (IG)

Lea Ce­ra­mi­che’s PAD col­lec­tion – by Fren­ch de­si­gner Pa­trick Nor­guet, who has wor­ked for the firm sin­ce 2010 – fea­tu­res a se­ries of ir­re­gu­lar, im­pre­ci­se marks ap­plied to ul­tra-thin shee­ts of la­mi­na­te sto­neware mea­su­ring th­ree me­tres by one, and is sui­ta­ble for bo­th pu­blic spa­ces and ho­me en­vi­ron­men­ts. The sub­tle re­lief ef­fect on the sur­fa­ce hi­ghlights the soft, tex­tu­ral qua­li­ty of the ce­ra­mic ma­te­rial, pro­du­cing a fa­bric-li­ke qua­li­ty that is gi­ven ad­ded dep­th by the cle­ver use of de­li­ca­te sha­des. The two de­co­ra­ti­ve ab­stract pat­terns are cal­led Ta­mis and Oa­kland.

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