La fa­mi­glia di ta­vo­li­ni Ve­ne­zia,

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pro­get­ta­ta da Si­mo­ne Ciar­mo­li e Mi­guel Que­da per Can­to­ri, si al­lar­ga ora al­la con­so­le. Va­rie le tec­ni­che adot­ta­te per de­co­ra­re i pia­ni: Li­quid Gold, a pen­nel­lo, per una tra­ma tes­si­le; Blue Moon e Black Moon, fo­glia d’ar­gen­to, ac­qua­ra­gia e acri­li­co per un ef­fet­to pit­to­ri­co.

The Ve­ne­zia fa­mi­ly of ta­bles, de­si­gned by Si­mo­ne Ciar­mo­li and Mi­guel Que­da for Can­to­ri, now in­clu­des a con­so­le ta­ble. Va­rious tech­ni­ques we­re used to de­co­ra­te the ta­ble tops: Li­quid Gold, do­ne in bru­sh­work, wi­th fa­bric ef­fect; and Blue Moon and Black Moon, sil­ver leaf, whi­te spi­rit and acry­lic wi­th a pic­to­rial ef­fect. SA­LO­NE, PA­VI­LION 1

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