POSITIVE SYNERGY
For artist Minjung Kim, the making of a canvas involves both physical exertion and careful mental preparation. Kim, who studied under Park Seo-Bo, a master of the Dansaekhwa minimalist movement, before moving from her native South Korea to Europe, describes her calligraphy technique as “very meditative—best done when you need to accumulate good energy”. The use of hanji,a traditional paper made from the inner bark of the mulberry tree, reflects her Korean cultural roots, yet the influence of Western contemporary artists such as Bridget Riley is also evident in her dynamic compositions. ‘The Memory of Process’ is showing until March 10 at White Cube Mason’s Yard, London, UK. www.whitecube.com