The Borneo Post

Fans mad Batman and Catwoman’s wedding day surprise ruined. But story is still great

- By David Betancourt

IT TURNS out Bruce Wayne is still the DC Universes’s most eligible bachelor.

To recap, unless you’ve been spending a lot of time in your own personal Bat- cave, after a months-long engagement and a whole lot of hype building up to a wedding in DC Comics’ “Batman” series, Batman/Bruce Wayne and Catwoman/Selina Kyle did not get married in the 50th issue of Tom King’s run.

All kinds of bat-signals went off when The New York Times revealed the plot twist the Sunday prior to the issue’s publicatio­n on July 4. Most of the rage from fans was from the major happenings of issue No. 50 being online before fans could read it. But is anyone actually upset that Batman and Catwoman didn’t get married? The bad bat-buzz briefly overshadow­ed what can be considered one of the best single issues DC has produced in their “rebirth” era of publishing.

Another indication things just weren’t meant to be came in the debut issue of Catwoman’s new ongoing series (written and illustrate­d by Joelle Jones), which was released last week on the same day as the wedding issue. The “Catwoman” cover featured a warning not to take in a single page unless the wedding issue had already been read or fans would risk spoilers - meaning the wedding plans likely went quite awry. Catwoman is one of DC’s most intense anti-hero personalit­ies. It’s hard to see her sharing her own series with Batman on every page because she tied the knot.

King used his first 50 issues of “Batman” to build upon one of the sexiest and most complicate­d on-again, off-again relationsh­ips in comics. He’s also taken full advantage of Batman’s rogue’s gallery, including Bane, Poison Ivy, a buffer/meaner Riddler, and the Joker. But what has helped this series escape the long shadow of the earlier five-year “Batman” run of writer Scott Snyder and artist Greg Capullo is that King dared Batman to take off his mask and have Bruce Wayne take a deep look at himself and ask whether he could ever truly be in love.

Perhaps the two most shocking aspects of issue No. 50 were that Bruce Wayne did indeed want to give love a shot, but Catwoman realised that by marrying him, she’d be alleviatin­g some of the pain necessary for Batman to exist. Catwoman was the real hero in issue No. 50 because she knew she didn’t have it in her to end Batman, even though she loved Bruce Wayne. Or who knows? Maybe she loves Batman more and didn’t want Bruce Wayne only. The point is, she knew she couldn’t go through with it, no matter how cool her dress looked.

King had a chance to mend Batman’s heart with his keyboard. Heartbreak is what defines every aspect of Batman. The pain of the tragedy of losing his parents to a murder committed right in front of him has always been Batman’s unlimited fuel supply. When given the opportunit­y to bring some relief to that broken heart through matrimony, King instead decided to break it again - and that emotional blow made Batman even stronger.

Artist Mikel Janin provided stellar artwork, enhanced by frequent pinup illustrati­ons that appeared every two pages by various artists at DC, including co-publisher Jim Lee, Jason Fabok, Mitch Gerads and Frank Miller. Janin’s pencils told the current story while the pinups served as beautifull­y illustrate­d background­s to the captioned words of letters Batman and Catwoman wrote to each other.

In those letters, King writes a Batman telling Catwoman he’s willing to let love into his heart and a Catwoman who tells Batman why she realises she could never let that happen.

The cat may have gotten out of the bag early, but even if you knew how this one was going to end, you still wanted to read it for yourself.

 ??  ?? Despite a strong romance and a high-profile engagement, Batman (Bruce Wayne) and Catwoman (Selina Kyle) did not get married at the end of “Batman” no. 50. — Art by Mikel Janin.
Despite a strong romance and a high-profile engagement, Batman (Bruce Wayne) and Catwoman (Selina Kyle) did not get married at the end of “Batman” no. 50. — Art by Mikel Janin.

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