Arthur Rankin – master of his craft
arthur rankin, creator of TV’s rudolph The red nosed reindeer, dies at 89.
More than five decades ago, Arthur rankin, Jr, a producer-director working in stopmotion animation, had the idea of developing a family-oriented TV special around a popular Christmas song. He hoped a network would like it enough to run it two or three times. But when Rudolph The Red-Nosed
Reindeer aired in 1964, he and partner Jules Bass found they had a blockbuster – one that launched them into TV history as pioneers of the animated holiday special.
Fifty years later, Rudolph, with its catchy tunes and charmingly misfit characters, remains the longest-running Christmas TV special, “one of only four 1960s Christmas specials still being telecast,” according to the Archive of American Television. The others are A Charlie Brown Christmas, How The Grinch Stole Christmas
and another rankin-Bass creation,
Frosty The Snowman.
rankin, whose projects would later include animated series such as The Jackson 5ive and the feature-length stop-motion film
Mad Monster Party, died of natural causes Jan 30 in Harrington Sound, Bermuda, where he had retired, said his son, Todd rankin. He was 89.
“Arthur was the Walt Disney of stop-motion animation,” said rick Goldschmidt, who chronicled the history of rankin-Bass productions in books and a website. “He was a great influence on the Tim Burton films and even more so on Pixar.”
Although rankin-Bass also produced traditional, hand-drawn animation, it was best known for its stop-motion technique called Animagic, which differed from clay motion in its use of small, wirejointed dolls. Burton, who told the Los Angeles
Times last year that he had “a fond burning feeling” for the rankinBass holiday specials he watched as a child, created movies such as
Nightmare Before Christmas using the same style of jointed figurines. In homage to his childhood inspirations, Burton even named a character in his 1984 film Frankenweenie Mr Burgermeister, after a character in rankin-Bass’ Santa Claus Is Coming To Town (1970). other well-known rankin-Bass stop-motion works include The Little Drummer Boy (1968), Here
Comes Peter Cottontail (1971) and The Year Without A Santa Claus (1974).
Following the pattern established
in Rudolph, which features Burl Ives’ singing and narration, rankin and Bass broadened the appeal of the programmes by using famous voices, including those of Greer Garson, Danny Kaye and Jimmy Durante.
A time-tested theme was also a rankin-Bass hallmark.
“In all our pictures, we had an antagonist who becomes the good guy,” rankin said in a 2005 inter- view for the Archive of American Television, “and the underdog fulfills his quest.”
In Rudolph, the underdogs were the title character with the flashing red nose and an elf named Hermey, who wants to be a dentist. Among the villains is the Abominable Snowman, who ultimately changes his menacing ways.
Rudolph took more than a year to make because of the painstakingly slow pace of stop-motion production, “but the show is not just the technique,” rankin told The Washington Post in 2004. “It’s the story, the characters, the music. We knew what we needed: warmth. Rudolph showed us that.”
rankin grew up in a family attuned to pleasing audiences. His parents, Mignon Klemm and Arthur rankin Sr, were vaudevillians, and ethel Barrymore was a distant relation. An only child, Arthur Jr grew up on his grandparents’ farm outside Baltimore, where he was born on July 19, 1924. He moved to New York at age 12.
During high school, he worked at radio City Music Hall as a page and backstage hand. At 18, he joined the Navy, surviving two sinkings by enemy forces during World War II.
He returned to civilian life as the television industry was forming. Hired at ABC, he was a graphic designer and art director on dramatic series such as Tales of Tomorrow and Schlitz Playhouse.
He began making commercials for network sponsors, a sideline that proved so successful that he left ABC in 1952 to form his own company.
Bass, who worked for an advertising agency, joined him in 1955, when they formed Videocraft International, later named rankin/ Bass Productions.
In the late 1950s, rankin went to Japan to study the techniques of stop-motion animator Tad Mochinaga, who used figurines and miniature sets to make his films. Mochinaga would later supervise the animation of a number of rankin-Bass shows.
arthur Gardner Rankin, Jr 1924-2014
Source of inspiration: arthur rankin has been hailed as the Walt disney of stopmotion animation and has influenced directors like Tim burton. — Wikimedia Commons/Tulio Garcia
In 1962, rankin was trying to come up with a Christmas special for General electric and thought of his Greenwich Village neighbour Johnny Marks, whose song Rudolph The Red-Nosed Reindeer had been inspired by a story written as a department store holiday promotion by his brother-in-law robert May. Marks’ song, sung by Gene Autry, was a huge success in 1949.
rankin, Bass and writer romeo Muller fleshed out a story based on the song, adding a whole cast of characters, including the Misfit Toys.
Marks was afraid that his hit could be tarnished if the TV project was a flop, but when it aired on a Sunday afternoon before Christmas, the ratings vanquished any fears of failure.
After that broadcast, “everyone wanted a Christmas film like Rudolph,” rankin recalled.
With Bass, rankin branched out from holiday specials to animated features like Mad Monster Party (1967), a tongue-in-cheek mash-up that featured Frankenstein, Dracula, the Werewolf, Dr Jekyll & Mr Hyde and other famous creatures, and the Peabody Award-winning The Hobbit (1977), based on the Jrr Tolkien fantasy.
rankin, who moved full-time to his home in the islands in the 1980s, is survived by his wife, olga Karlatos, and his sons from a previous marriage, Todd and Gardner. – Los Angeles Times/McClatchyTribune Information Services
The rankin/bass logo was a familiar sight to TV viewers from the 1960s to the 1980s.