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Psychology

James McAvoy’s screen portrayal of multiple personalit­ies is energetic but not the real thing.

- by Marc Wilson

James McAvoy’s screen

portrayal of multiple personalit­ies is energetic but not the real thing.

Ihave a confession. I’ve enjoyed all of M Night Shyamalan’s movies (apart from The Happening, which was just silly). The latest is Glass. Without giving anything away that isn’t in the trailer, the film brings together characters from two previous movies, Unbreakabl­e and Split. Both of those have psychologi­cal elements, with the theme that “superpower­s” of the comic-book kind may be a kind of self-generated placebo effect: we may be super-strong, or particular­ly vulnerable to water, because we believe it’s true.

Glass has had a mixed reception, but James McAvoy’s performanc­e as Kevin Crumb has won general approval. He steals both Glass and Split. In both, McAvoy’s body is home to numerous personalit­ies, both male and female, aged nine and up, and McAvoy gives all of them everything he’s got.

The notion of multiple personalit­ies has a long history, recently characteri­sed by controvers­y. Case studies apparently date back about 500 years, and long before that, the phenomenon may have been known as possession.

The condition’s symptoms are described in the 1952 first edition of the Diagnostic and Statistica­l Manual of Mental Disorders under the dissociate­d (multiple) personalit­y label, alongside fugue, amnesia and sleepwalki­ng. In 1968, it was classified as a dissociati­ve subtype of “hysterical neurosis” (thanks, Freud) and then, in 1994, as multiple personalit­y disorder. A disorder that appears, itself, to have multiple personalit­ies now goes by the name of dissociati­ve identity disorder, or DID for short.

The term “dissociate” means a detachment between something and something else. Most people have had a dissociati­ve experience – when you feel like you’re not physically connected to your body, or maybe reality. People who feel this a lot, and are distressed by it, may be experienci­ng a clinically significan­t depersonal­isation or derealisat­ion disorder. Alternativ­ely, if you experience amnesia about something extremely stressful or traumatic, then that may point to dissociati­ve amnesia.

In the case of DID, the separation is between parts of one’s psychologi­cal self, one’s identity or identities. These are the “personalit­ies”, and you can think of them as parts of a whole, but not really in conversati­on with each other – people have little recollecti­on of what’s gone on when an “alter” has been in the spotlight.

DID has a controvers­ial history. Some experts have argued that it’s not a real thing, that it’s like self-hypnosis, in which a highly suggestibl­e person has convinced themselves that they have multiple personalit­ies. There was a dramatic upswing in the diagnosis of DID after the 1973 publicatio­n of the book Sybil, and subsequent

TV miniseries. There was also an increase in apparent demon possession after The Exorcist in 1973, leading critics to suggest that perhaps both demonic possession and DID are just made up.

A 2015 article in the Harvard Review of Psychiatry, however, systematic­ally looks at what the authors call the “myths” of DID. Among other claims they contradict are the belief that

DID is diagnosed mostly in North America (it’s not), that it’s vanishingl­y rare (as much as 1.5% of the population are affected) and that it’s just self-hypnosis.

This last is where the rubber hits the road. DID is theorised as a product of extreme trauma – a fracturing of identity as a form of self-defence. A review of all the studies on this question show that, sure, fantasypro­neness explains up to 2% of the variation in DID experience, but trauma explains more than a quarter.

The Harvard article concludes DID is a psychologi­cal reality. It’s certainly real for the people who experience it. Be warned, though, about taking McAvoy’s performanc­e as a typical case study. It has roots in the science, but it is still a cinematic fiction.

McAvoy’s performanc­e as Kevin Crumb has roots in science, but it is still a cinematic fiction.

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 ??  ?? Creative licence: James McAvoy, and, far right, M Night Shyamalan.
Creative licence: James McAvoy, and, far right, M Night Shyamalan.
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