EARLY MAN (PG, 89MINS) DIRECTED BY NICK PARK

Dug (Eddie Redmayne) likes to dream big.

While the rest of his tribe are happy just to hunt rabbits, he’s convinced they can capture a mammoth. Assisted by his trusty hog Hob Nob, he begins laying the groundwork for his ambitious plan. However, before he can put it into effect, he and his people become the hunted.

With superior technology and weaponry, a new tribe steamroll into the valley, forcing Dug and his kind to flee.

An inadvertent bump to the noggin sees Dug transported into the invaders’ stronghold, where he discovers a way of life light years from his own, with the inhabitants obsessed with a round-ball game.

Blundering his way into the main arena, Dug gains himself an audience with the nefarious Lord Nooth (Tom Hiddleston) and makes a bold wager – that if his tribe can beat Nooth’s expensively assembled Real Bronzio at their own game, they will win their valley back. Lose though, and they’ll all become mine workers.

Like The Curse of the Were Rabbit and The Pirates! before it, Aardman Animation’s latest adventure offers entertainment aplenty.

The claymation creations are character-filled delights, the vocal cast (which also includes Maisie Williams, Richard Ayoade, Johnny Vegas, Miriam Margolyes and Rob Brydon) is top notch and the gag quotient off the Richter scale.

As usual, much of the delight is in the details, whether it’s shop signs that say Jurassic Pork or Flint Eastwood, a headline that reads ‘‘Woad Rage’’, or dialogue like, ‘‘Dug, you haven’t eaten your primordial soup’’.

The heart of Early Man though is England’s obsession with football. Dug’s tribes’ history with the game definitely has deliberate parallels to the home of Manchester United, Wembley and Bobby Moore and director Nick Park (on helming duties for the first time since 2008 Wallace and Gromit short A Matter of Loaf and