UN­TI­TLED (CE­LES­TIAL MO­TORS) BY MARIA TANIGUCHI

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Maria's art prac­tice stems from sculp­ture. Her works ap­peal to me be­cause it shows the broad range of medi­ums and ma­te­ri­als an artist works with to­day. For ex­am­ple, a sculp­tor no longer needs a chisel to sculpt. From the Sil­ver­lens Gallery

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