Cape Times

Good vibes, tuba and piccolo at novel ‘Night of Arts’

- Arts writer

THE first Purpur Night of Transgress­ive Arts brings together a formidable array of cutting edge artists from South Africa for one night only at Youngblood­africa in Cape Town.

The event, along with its name, developed out of conversati­ons between local composers Michael Blake and Pierre-Henri Wicomb during a composer residency in the Baltic several years ago.

Youngblood­Africa, which has been developing a performing arts programme to complement its rich roster of visual artists, provides the ideal setting for this boundaryba­shing venture.

Starting at 5pm on Thursday, Youngblood­Africa’s three-level layout has multiple performing spaces offering the perfect habitat for new music and art with a predisposi­tion towards the offbeat, unconventi­onal and wacky.

Top performers and improviser­s include percussion­ists Frank Mallows and John Pringle, bassist Brydon Bolton, pianists Mareli Stolp, Meryl van Noie and Coila Enderstein, trumpeter Alastair MacDonald, saxophonis­t Gareth Harvey, flautist/piccolo player Marietjie Pauw and tuba player LeNique Brand.

They will bring to life scores by composers Frederik Rzewski ( De Profundis – text by Oscar Wilde), Tom Johnson ( Chord Catalogue), John Cage ( Musicircus), Marcel Duchamp ( Sculpture Musicale), Michael Blake ( Five Pieces for Piccolo and Tuba 1971), Pierre-Henri Wicomb ( Domicilium), and improvise with choreograp­hers/dancers Richard September, Mziyanda Mancam, visual artists Dedre Fouqet, Kira Kemper, Francois Knoetze, actor/director Jaco Bouwer and electronic­a artist Miles Warrington.

Ninety years afters its premiere in Postdam, Kurt Schwitters’ now classic Ur-Sonate, a richly-textured sound poem in four movements, will receive its long-awaited South African premiere by local Dada diva Wilmien Wicomb.

As befits the city which hosted a similar event at the Drill Hall in the late 1960s, Purpur Night of Transgress­ive Arts

Musicircus

British daily The Guardian recently described Musicircus as “simply an invitation to bring together any number of groups of any kind, preferably in a large auditorium, letting them perform simultaneo­usly anything they wish, resulting in an event lasting a few hours. There is no score, no parts, nothing specified except the concept.”

Cage himself said: “You won’t hear anything: you’ll hear everything”.

The show runs at 70 – 72 Bree Street until midnight.

Tickets: R50 at the door, but booking is advised: 021 424 0074, marie@ youngblood- africa. com. Cash bar and snacks available at the Beautiful Food restaurant situated in the gallery. Info: www.michaelbla­ke.co.za, or www.wicomb.net

 ??  ?? will climax with Cage’s – another local first in which all the participan­ts and more will musically and visually inhabit the entire Youngblood space.
SOUND POEM: Choreograp­her Nziyanda Mancam.
will climax with Cage’s – another local first in which all the participan­ts and more will musically and visually inhabit the entire Youngblood space. SOUND POEM: Choreograp­her Nziyanda Mancam.
 ??  ?? MALLETS: Legendary vibraphone player Frank Mallows.
MALLETS: Legendary vibraphone player Frank Mallows.
 ??  ?? DANCE: Richard September
DANCE: Richard September

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