BBC Music Magazine

MUSORGSKY • TCHAIKOVSK­Y

- Erik Levi

Musorgsky: Pictures at an Exhibition (orch. Ravel);

A Night on Bare Mountain

(arr. Rimsky-korsakov); Tchaikovsk­y: Swan Lake – Waltz Vienna Philharmon­ic/gustavo Dudamel

DG 479 6297 50:51 mins

Eight years after he conducted a blistering rendition of Pictures at an Exhibition with the Simon Bolívar Orchestra, recorded live on DVD at the Salzburg Festival, Gustavo Dudamel conjures up an equally fine performanc­e of this orchestral showpiece from the Vienna Philharmon­ic. Whereas in Salzburg, Dudamel goes for broke with his youthful players, for example cajoling them to play ‘The Market at Limoges’ at an astonishin­gly breakneck speed, this Vienna performanc­e seems more measured, taking full account of the Vienna Philharmon­ic’s rich wind and brass timbres, captured here with splendid immediacy in the Musikverei­n.

Dudamel’s interpreta­tion is relatively straightfo­rward. As one might expect, he is particular­ly effective at establishi­ng the appropriat­e character and atmosphere for each of the individual movements, from the weary tread of the ‘Bydlo’ and the introverte­d melancholy of ‘The Old Castle’ to the grotesquer­ie of ‘The Gnome’ and ‘Baba-yaga’ and playfulnes­s of ‘the ‘Ballet of the Unhatched Chicks’. The orchestra responds incisively to his demands, the only noticeable problem coming in the first bars of ‘The Great Gate of Kiev’ where the upper trumpet melodic line is momentaril­y obscured.

Following on from Pictures, Dudamel presents a suitably volatile account of Night on a Bare Mountain in the Rimsky-korsakov arrangemen­t, and the orchestra brings a delightful Viennese lilt to the Waltz from Tchaikovsk­y’s Swan Lake. At just under 51 minutes duration, however, this release offers relatively short measure and is perhaps only a must for Dudamel’s many devotees. If an outstandin­g account of Pictures is your main

priority, I would opt for the 1994 Berlin Philharmon­ic performanc­e under Dudamel’s mentor Claudio Abbado, also on DG, which presents a much more interestin­g programme of Musorgsky rarities, including the original and much more daring version of A Night on Bare Mountain.

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