Birdwatch

Sounds of the Maghreb

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people and culture.

The result is a fascinatin­g synthesis of knowledge about the region’s birds, their sounds, taxonomy and environmen­t, derived to a significan­t extent from lead author Arnoud van den Berg’s extensive field experience in the Maghreb, but with important contributi­ons from the rest of the Sound Approach team. Arnoud begins the substantiv­e section of the book “Even now, after 30 years, I am still angry about the way Slender-billed Curlew … was allowed to become extinct”, immediatel­y hooking the reader into his unique take on searching for and finding this iconic wader in Morocco back in the day and why he now considers it gone for good.

Each chapter is similarly fascinatin­g, informativ­e and at times entertaini­ng, and the reading experience is enhanced throughout by the sound recordings, to be played as indicated in the text. Some tracks are rare and many are educationa­l, but importantl­y they also add a sense of place and encounter. Readers will decide on their own favourites, but I thought the inclusion of the four ‘Slender-billed Curlew’ recordings was inspired: one is of a call “masked by simultaneo­usly calling Eurasian Curlews”, another is a clever reconstruc­tion of that call, and the other two are human imitations – that, sadly, is the entire sound archive for this lost species.

As always, this Sound

Approach masterpiec­e is brought to life by numerous elucidator­y sonograms and an outstandin­g collection of photos, including displaying Houbara Bustard, hemipodes in the hand and field, and Golden Nightjar in threat posture, but there are just two plates, of African Dunn’s Lark and Seebohm’s Wheatear. Additional illustrati­ons of other enigmatic birds were all this reviewer was left wanting more of from this outstandin­g insight into the Maghreb and its special avifauna. Dominic Mitchell

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