Mission accomplished again
Tom Cruise’s franchise juggernaut has no signs of slowing
CALL it testosteronefuelled recklessness, hubris or feeling the need... the need for speed, Tom Cruise certainly puts on a show in the fifth instalment of the Mission: Impossible franchise.
He clings to the side of an airplane as it takes flight, slaloms at dizzying speed on a motorcycle and performs death-defying leaps as secret agent Ethan Hunt.
The 53-year-old star performs most of these hair-raising stunts himself, allowing writer-director Christopher McQuarrie to capture every pulsequickening second in thrilling close-up with minimum digital trickery.
Cruise’s commitment to his role puts fellow action stars to shame – unlike the films of Stallone and Schwarzenegger, the script is devoid of wry one-liners to poke fun at his advancing years.
McQuarrie, Oscar-winning screenwriter of The Usual Suspects, bookmarks slam-bang action sequences with intentionally ambiguous exchanges between rival operatives, who acknowledge the futility of their efforts as pawns in the spy game.
Their inevitable deaths will go unnoticed and fresh-faced young agents will step forward, continuing the brutal tug-of-war between political idealism and global terrorism.
The film opens with the Impossible Missions Force (IMF) hijacking a shipment of nerve gas from Chechen separatists.
Soon after, CIA Director Alan Hunley (Alec Baldwin) succeeds in shutting down IMF for a total disregard for protocol, which led to the destruction of the Kremlin in the previous film.
The hunters become the hunted when a shadowy organisation known as the Syndicate, fronted by Solomon Lane (Sean Harris), targets IMF for extinction.
Hunt covertly reunites with colleagues William Brandt (Jeremy Renner), Benji Dunn (Simon Pegg) and computer hacker Luther Stickell (Ving Rhames) to bring down The Syndicate using every gadget, disguise and turbo-charged vehicle at their disposal.
The operation brings Hunt into close contact with undercover MI6 agent Ilsa Faust (Rebecca Ferguson) and her slippery handler (Simon McBurney), a sadistic henchman known as the Bone Doctor (Jens Hulten) and the unsuspecting British Prime Minister (Tom Hollander).
“This may very well be our last mission,” Brandt tells Hunt. “Make it count.”
Mission: Impossible – Rogue Nation is slickly bolted together by McQuarrie and editor Eddie Hamilton (Kick-Ass, Kingsman: The Secret Service).
Turbo-charged scenes of carnage are punctuated by IMF’s existential crisis in a world that regards their methods as ‘outdated’.
Cruise somersaults, punches and tumbles through every frame without breaking sweat, while Pegg, who was pigeon-holed as comic relief in the previous instalment, steps up in a pivotal supporting role.
Ferguson’s ice maiden doesn’t thaw sufficiently under Cruise’s smouldering gaze to kindle on-screen chemistry, but her femme fatale snaps several limbs and necks in impressive hand-to-hand combat sequences.
Humour is used sparingly to diffuse tension, leaving us hungry for another explosion of IMF antics to the pulsating rhythm of Lalo Schifrin’s iconic theme.
On this evidence, Mission: Impossible and its gung-ho leading man won’t be self-destructing any time soon.
Ethan Hunt (Tom Cruise) and Ilsa Faust (Rebecca Ferguson) team up for Mission: Impossible – Rogue Nation