Pho­tog­ra­phers & videog­ra­phers Hugo Bur­nand

Country Life Every Week - - The Top Ten -

(www.hugo­foto.com; 020– 7229 2297) This royal and So­ci­ety pho­tog­ra­pher needs lit­tle in­tro­duc­tion

Chris Aller­ton

(07973 724083; www.chris aller­ton.com) A con­tem­po­rary pho­tog­ra­pher cel­e­brated for both his beau­ti­fully lit por­traits and in­fec­tious sense of hu­mour

Sarah Farnsworth

(www.sarah­farnsworth.co.uk; 07921 196032) The award-win­ning coun­try­side pho­tog­ra­pher is known for her abil­ity to cap­ture un­usual shots, what­ever it takes

Mike Gar­rard

(www.mikegar­rard.co.uk; 01494 353637) Best for bright, en­gag­ing pho­to­graphs that have the wow fac­tor

Mil­lie Pilkington

(www.mil­liepilk­ing­ton.co.uk; 07815 750141) A private pho­tog­ra­pher at The Duke and Duchess of Cambridge’s wed­ding in 2011, Mil­lie takes very nat­u­ral pho­to­graphs im­bued with emo­tion

Mark Sey­mour

(01628 668283; www.mark sey­mour­pho­tog­ra­phy.co.uk) A doc­u­men­tary-style pho­tog­ra­pher with more than 20 years of ex­pe­ri­ence, Mark likes to use high-con­trast black and white in the fi­nal edit

Pippa Macken­zie

(www.pip­pa­macken­zie.com; 01798 813068) With ex­pe­ri­ence in film, de­sign and the graphic arts as well as pho­tog­ra­phy, Pippa and her team pride them­selves on their abil­ity to cre­ate a story us­ing your wed­ding photos. Cou­ples are en­cour­aged to start the process with a visit to the stu­dio and choco­late cake

Guy Hearn

(www.guy­hearn.com; 07525 812560) There’s an ob­ser­va­tional, time­less style to Guy’s pho­to­graphs, which use nat­u­ral light

Films in Bloom

(www.film­sin­bloom.co.uk; 07800 849417) Elissa goes out of her way to work around you and her films are a beau­ti­ful record of nat­u­ral mo­ments in mo­tion

The Film­ing Business

(www.the­film­ing­busi­ness.com; 020–7924 6978) These videog­ra­phers have honed their craft cap­tur­ing nearly 1.5 mil­lion min­utes of film in the past 20 years and can seam­lessly splice to­gether footage from the whole day. The use of drone tech­nol­ogy en­ables fire­works to be filmed from a bird’s-eye view

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