Folie de grandeur
The castellated gardener’s cottage at Little Naish barely offered room to swing a trowel. As Arabella Yoeuns discovers, the seamless addition of a glazed extension has transformed it into comfortable accommodation
Little Naish in Somerset, a castellated gardener’s cottage with a seamlessly added glazed extension, impresses Arabella Youens
It was the remains of a long-lost glass house found in the walled gardens of Little Naish, near Clapton-in-gordano, Somerset, that eventually led to planning permission for the addition of this strikingly modern glass box to the side of an early-victorian tower.
the original Grade Ii-listed building had been constructed as a folly in the Gothicrevival style. Built in the early 19th century by James Adam Gordon, a local politician who owned plantations in the West Indies, it lay in the grounds of Naish (pronounced ‘Nash’) House, a 17th-century manor that was destroyed by fire in 1902.
Although the main house was eventually rebuilt, Little Naish had lain empty for 25 years before the Somerset-based architect and conservation specialist James Barattini (now retired) was invited to consult in 2008. ‘the house was in a pretty parlous state,’ he recalls. ‘Little Naish was known as the “gardener’s cottage”, but it wasn’t habitable. It was more of a bothy and a space to keep tools in than anything else.’
However, the owners were keen to convert the folly into a habitable house and, for that to work, planning permission and listed-building consent were required to extend the original footprint of the property.
It wasn’t the first time that an owner had tried to rescue the building, but all previous attempts had failed. ‘I felt very strongly that what it needed was a modern extension, but, in order to start the process, I had to go back to basics and do a historical analysis on the original estate,’ explains Mr Barattini. ‘When I discovered the remnants of the Victorian glasshouse in the corner of the walled garden, just next to the folly, it validated what I was trying to do with the building.’
the local planning department agreed to the installation of a glazed building on the proviso that it didn’t interfere with or interrupt distant views. the pavilion extension was designed to minimise the connection to the building, as there was no evidence of a formal link between the greenhouse and the folly on the original layout. ‘We didn’t want it to swamp the tower, rather that it just floated on the edge,’ adds Mr Barattini.
One of the strongest stipulations by the owners—one a passionate gardener—was that the space should blur the boundaries of the inside and outside. this was achieved through the use of floor-to-ceiling sliding glass doors on two sides and having one flooring solution to create a seamless transition between the terrace and the kitchen.
the pavilion’s position, facing south south-west, was ideal as it affords extensive views over the six-acre walled garden. ‘However, with that aspect, you could also scorch in there, hence the need for the solar shading in the form of the large roof overhang. In the summer, it offers protection from the overhead sun, but, in the winter, when the sun is lower in the sky, it lets the light in,’ explains Mr Barattini. the clients commissioned designer tom Howley (0161–848 1200; www.tomhowley.co.uk) to create a traditional kitchen that would not only marry sympathetically with the historical aspects of the original building, but would also become a feature of the modern extension. ‘they were very specific about creating a feeling of bringing the outdoors in and having a room that would be used for living, dining and cooking,’ says Mr Howley.
‘One of the main challenges was that achieving this light, open-plan finish meant there was limited space available for cabinetry. We had to be very clever with how we got everything the clients wanted into the kitchen.’
the Shaker-style Summerville range was chosen and painted in tom Howley’s in-house colour of Meadowsweet—a light, neutral shade that emphasises the natural light that floods the room. An island with a breakfast bar takes central stage and forms a subtle division between the cooking and dining spaces. Unusually, the sink was built into the island specifically so that the splendid garden views could offer some diversion from the chore of washing-up.
‘The garden views offer some diversion from the chore of washing-up ’
Floor-to-ceiling glass doors blur the boundary between the inside and the outside
The large roof overhang provides shade in the summer, but allows light in the winter