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MOVERS & SHAKERS

Graphic artist Adam Ellis reveals his maximalist vision

- WORDS FIONA MCCARTHY PHOTOGRAPH­Y DAMIAN RUSSELL

Maximalism’s love affair with colour, pattern and whimsy owes much to the art of Adam Ellis. In his collaborat­ions with designers such as Martin Brudnizki and Olga Polizzi, Adam creates dramatic scenes that seductivel­y traverse walls, ceilings and doors, from the romantic trail of songbirds and wisteria enveloping the Brown’s Hotel lobby in Mayfair to the gilded scenes of flora and fauna found in many of The Ivy’s collection of brasseries.

‘There’s no space that can’t be enhanced or warmed up by the right picture,’ enthuses Adam. Here in his two-storey industrial space in west London, Adam has combined a light-drenched design studio with a gallery space for clients, both commercial and residentia­l, to see his work in action, as well as peruse the archive of over 10,000 images Adam has collected since a student at the Slade School of Fine Art over two decades ago.

From natural history and botanical prints to antique maps, art-deco advertisin­g posters and contempora­ry abstract illustrati­ons, Adam uses these as inspiratio­n to imaginativ­ely rework by hand – through drawing, painting or digitally with pen and tablet – to custom fit designs to any room. For a recent project with Suzy Hoodless, Adam wrapped an apartment bedroom ‘with a wallpaper that goes from floor to ceiling, then across the ceiling and up into a little stairwell,’ he explains.

It was Adam’s grandmothe­r who first fired his enthusiasm for art, with Sunday mornings spent around her dining table ‘drawing dragons and all sorts of wonderful things,’ he recalls. Today, he much prefers creating site-specific art installati­ons for a restaurant or helping someone to curate a collection of prints for their living room wall than the ‘loneliness of being on my own in a studio,’ he says.

Applying print across wallpapers, fabrics and rugs is a much more ‘interestin­g and satisfying way of thinking about artistic processes outside galleries and painting canvases,’ he says. And if people are too nervous about living with that much colour, ‘an interestin­g arrangemen­t of pictures always works, even in the smallest, most intimate spaces.’ It is important to be bold, Adam affirms. ‘I like helping to create spaces with a bit of surprise, that maybe show something new.’ →

 ??  ?? Adam in front of a series of large format natural history prints, framed in the studio’s custom oak mouldings
Adam in front of a series of large format natural history prints, framed in the studio’s custom oak mouldings
 ??  ?? An early concept handpainte­d botanical sketch for a forthcomin­g project
An early concept handpainte­d botanical sketch for a forthcomin­g project
 ??  ?? Just a few of the 10,000 images in Adam’s extensive archive library
Just a few of the 10,000 images in Adam’s extensive archive library
 ??  ?? A showcase of past project work, including a gold-leaf panel of Japanese-themed wallpaper for The Ivy Asia
A showcase of past project work, including a gold-leaf panel of Japanese-themed wallpaper for The Ivy Asia

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