House Beautiful (UK)

Restoratio­n drama

Renovating a listed Regency house presented some unexpected challenges, but the resulting light and inspiring seaside home was worth it, say the owners

- WORDS CLARE MACDONALD PHOTOGRAPH­Y PENNY WINCER

Renovating a Regency seaside house

In search of fresh air and a more creative environmen­t, Sally Evans and her husband Damian made the decision to leave their London home and head to the seaside resort of Brighton, with its inspiring space and light and its beautiful Regency properties. ‘I’d been working for design and architectu­re agencies for a long while and wanted to explore my own design projects. We’re very much urban dwellers though,’ says Sally, ‘so this wasn’t about escaping to the country; we still wanted to be a stone’s throw from galleries, bars and restaurant­s.’

Their hearts were set on a Regency building, which helped narrow the search, but even so they viewed a lot of properties over about six months. ‘We were drawn to the pretty frontage of this Grade-II listed house. It reminded us of one we’d once loved, but weren’t in a position to buy,’ says Sally. ‘Initially, though, I was put off by the dark and poky interior. On our

first viewing, the blinds were half drawn and the house was full of dark lumpy furniture, so I was thrilled by how light and spacious it felt when we eventually moved in.’

They planned a major renovation but it was three years before they were able to start the building work. ‘We knew exactly what we wanted to do,’ says Sally, ‘but we weren’t prepared for all the constraint­s that apply to listed buildings.’ It took the couple more than 32 weeks just to get planning permission. ‘It was a painful process,’ recounts Sally. ‘What we’d originally had in mind didn’t comply with the restrictio­ns imposed on this type of house, so after the planning officers’ initial site report we had to go back to the drawing board!’

Choosing a builder was also not without issues. ‘We had four quotes, all of which were double what we’d expected, and one was another £100,000 on top of that,’ Sally recalls. ‘When we eventually employed a builder, he

pulled out three days before the work was due to commence. It was horrible at the time, but turned out to be a blessing ultimately as we ended up with a fantastic team. The job went amazingly smoothly and only ran over by two weeks.’

The couple completely reconfigur­ed the space, reclaiming the basement, which had been a dingy self-contained flat, as a spare bedroom and bathroom, and turning the first floor, which was originally a bedroom and bathroom, into the living room and study. They also moved the main bedroom and bathroom to the second floor and cleverly glazed a hatch in the roof allowing a spill of light into the landing.

Moving the kitchen was the biggest challenge. Initially it was a narrow galley at the back of the house but Sally and Damian wanted it at the centre of the ground floor. ‘We weren’t allowed to fit any appliances in the alcoves beside the chimney breasts, which presented a real conundrum for us,’ recalls Sally. ‘Eventually

we had the genius idea of fitting a bespoke sink and drainer into a cupboard! We love the result, although we often get people asking “where’s your sink?”’

Another big issue was complying with the stringent fire regulation­s. ‘We knew we wanted to open up the space as much as possible, and in order to have an open-plan kitchen leading onto a stairwell we’ve had to install a mains-linked mist sprinkler system. Once we set it off by

‘We aimed to maintain some of the period features but we complement­ed this with a calm palette and clean lines,’

SAYS SALLY

mistake, during a dinner party,’ laughs Sally. ‘We all got drenched before we figured out how to turn it off!’

It’s quite obvious from the way that the fixtures and fittings in every room have been carefully considered that both Sally and Damian – who runs Damian Evans Designs – have design background­s. ‘We aimed to maintain the period features of this gorgeous Regency building by restoring fireplaces and cornicing, and we’ve complement­ed this with a calm palette

‘I was thrilled by how light and spacious it felt when we eventually moved in,’ SAYS SALLY

and Scandi-style clean lines,’ explains Sally. All the furniture has been meticulous­ly researched and sought out too. ‘I’d wanted the Lamina chair and footstool in the sitting room for as long as I can remember!’ she says.

They’ve also been able to indulge their shared love of modern art, and have a print by Damian Hirst in their living room. ‘We began picking up pieces from the RCA degree shows, and this really kickstarte­d our passion, but we also enjoy keeping our eyes open for local artists.’ Sally and Damian now each have a design studio just minutes away. ‘We love living and working here,’ says Sally. ‘We can see the sea from our house and enjoy exhilarati­ng walks to work every morning. I particular­ly love the sea mists that suddenly roll in and cover Brighton in a ghostly cloak. I was brought up on the coast, so I feel as if I’ve come home!

FOR STORE DETAILS SEE WHERE TO BUY PAGE

 ??  ?? EXTERIOR
Brighton has a wealth of Regency properties
EXTERIOR Brighton has a wealth of Regency properties
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 ??  ?? HALLWAY
A runner in bold navy blue by Roger Oates from Mister Smith creates dramatic impact in the all-white space
HALLWAY A runner in bold navy blue by Roger Oates from Mister Smith creates dramatic impact in the all-white space
 ??  ?? WARM WELCOME
Doors painted in pale Farrow & Ball greys greet visitors. The coat hooks are by Muuto and the beach bag is by From Brighton with Love
WARM WELCOME Doors painted in pale Farrow & Ball greys greet visitors. The coat hooks are by Muuto and the beach bag is by From Brighton with Love
 ??  ?? ART ATTACK
Damien Hirst’s Valium print and Peter Blake’s Marilyn are stunning in this restful space. Cushions by From Brighton With Love bring pattern to the Rest sofa by Muuto. Sally’s prized Lamina chair and footstool are by Swedese
ART ATTACK Damien Hirst’s Valium print and Peter Blake’s Marilyn are stunning in this restful space. Cushions by From Brighton With Love bring pattern to the Rest sofa by Muuto. Sally’s prized Lamina chair and footstool are by Swedese
 ??  ?? LIVING ROOM
Sally and Damian have collected bits and pieces from art shows over the years. The rug is from Designers Guild and the coffee table is by Hay
LIVING ROOM Sally and Damian have collected bits and pieces from art shows over the years. The rug is from Designers Guild and the coffee table is by Hay
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 ??  ?? KITCHEN
Contempora­ry meets Regency in this beautiful streamline­d room. The island and units are by Magnet and the cupboard housing the sink is bespoke. Sinker pendants by Hay and a Union Jack artwork by Peter Blake at CCA Galleries add interest
KITCHEN Contempora­ry meets Regency in this beautiful streamline­d room. The island and units are by Magnet and the cupboard housing the sink is bespoke. Sinker pendants by Hay and a Union Jack artwork by Peter Blake at CCA Galleries add interest
 ??  ??
 ??  ?? STUDY Local artist Andy Doig from Fishtail Neon Studios created the neon sign and the Mickey painting is by Joseph from Envie d’Art. The desk and chairs are from Viaduct and the distinctiv­e rug is from Skandium
STUDY Local artist Andy Doig from Fishtail Neon Studios created the neon sign and the Mickey painting is by Joseph from Envie d’Art. The desk and chairs are from Viaduct and the distinctiv­e rug is from Skandium
 ??  ?? UTILITY ROOM Formerly a galley kitchen, this space now works as a utility room. Its practical rubber flooring came from The Colour Flooring Company and the message board is from The Conran Shop
UTILITY ROOM Formerly a galley kitchen, this space now works as a utility room. Its practical rubber flooring came from The Colour Flooring Company and the message board is from The Conran Shop
 ??  ?? MAIN BEDROOM
Sally trawled the web for this trompe l’oeil Scrapwood wallpaper by Piet Hein Eek from Rockett St George. The Wolf print by Kate Boxer was a local find and the Vita pendant is from Utility
MAIN BEDROOM Sally trawled the web for this trompe l’oeil Scrapwood wallpaper by Piet Hein Eek from Rockett St George. The Wolf print by Kate Boxer was a local find and the Vita pendant is from Utility
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 ??  ?? UPSTAIRS BATHROOM
This bathroom right at the top of the house has an amazing view of the Brighton rooftops. A pair of basins from Ideal Standard sit on an Ikea cabinet
UPSTAIRS BATHROOM This bathroom right at the top of the house has an amazing view of the Brighton rooftops. A pair of basins from Ideal Standard sit on an Ikea cabinet
 ??  ?? DOWNSTAIRS BATHROOM
‘Our architects gave us a great deal of advice for sourcing fittings.’ The basins and taps are by Jasper Morrison for Ideal Standard
DOWNSTAIRS BATHROOM ‘Our architects gave us a great deal of advice for sourcing fittings.’ The basins and taps are by Jasper Morrison for Ideal Standard

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