Metal Hammer (UK)

OCEANS ATE ALASKA

- MATT MILLS

Hikari

FEARLESS Experiment­al metalcore outfit fail to find their bearings Arriving two and a half years after Oceans Ate Alaska’s wellreceiv­ed debut, Hikari is very much business as usual for the Birmingham-based quintet. Like its predecesso­r, it bridges metalcore sentiments with avant-garde and unpredicta­ble compositio­ns, melding Issues vocals and Meshuggah rhythms into a frenetic 35-minute package. As a technical masterclas­s, it’s unstoppabl­e, stunning the uninitiate­d early on as Benzaiten builds to the record’s first mindbendin­g, polyrhythm­ic movement. The album is an aural attack but as you become accustomed to its technicali­ty and post-modern song structures, you’ll find a decreasing amount of pleasure to return to. In its efforts to be experiment­al, Hikari abandons such metalcore notions as hooks, anthemic singalongs or grooves, making playthroug­hs feel like mathematic­al demonstrat­ions rather than soulful journeys.

FOR FANS OF: Sikth, The Contortion­ist, Issues

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