Bojack Horseman is TV’S best show about depression.
Bojack Horseman is TV’S best show about depression. Also its funniest
THE ANIMATED SERIES about a has-been sitcom star who happens to be a horse, has the weirdest shifting tone in TV. One minute, characters—some animal, some human—are debating the nature of the soul in a vapid universe. The next, there are cat puns.
Somehow, this adds up to the most powerful evocation of clinical depression in pop culture. I am not a psychiatrist, so by diagnosing Bojack Horseman I will not be breaking the Goldwater Rule. I am, however, clinically depressed, so I recognize the symptoms.
Bojack, the inspired creation of writer and comedian Raphael Bob-waksberg, is a self-sabotaging character desperate for love but unable to accept or give it, and oblivious to the damage he does. He is just the latest in a long line of compulsively watchable, emotionally stunted sitcom characters— Michael Scott, David Brent, Homer Simpson, Cli Clavin, Martin Payne, Gary Shandling, Kenny Powers, Liz Lemon, the entire Bluth family— who irt with change without ever actualizing it. (Will Arnett, who voices the epically cynical Bojack so winningly, is arguably our greatest interpreter of arrogant losers.)
But here animation has an advantage—and where the animal puns start to make sense. If this were live action, the show would feel too small and didactic. The wisdom/life advice/devastating observations land harder because they are preceded by, for example, Keith Olbermann voicing the blue whale—and news anchor—tom Jumbo-grumbo. Bob-waksberg has gured out that the best way to keep audiences glued to four seasons of existential angst is to surround it with inanity.
For example: In one episode near the end of season three, Bojack is arguing with his longtime agent and occasional lover, a 40-ish cat named Princess Carolyn (voiced by Amy Sedaris). They are outside a restaurant, at the valet stand, which is sta ed by a collie. The collie hands the car keys to Carolyn, who, in a t of anger, throws them across the street. The collie eagerly fetches them. Bojack accuses Carolyn of “fetishizing her own sadness” (plagiarized from his manager, who lobbed the same insult at Bojack). Carolyn throws her keys again. The collie fetches them. Bojack goes on to re Carolyn and stalks o . Oblivious to her broken heart, the collie simply hopes for another toss. Life, in other words.
In the trailer for season four, Princess Carolyn says, “The world is dark and scary and full of creepy clown dentists, but we’ve gotta push through and hope there’s better stu ahead.” Solid advice, gravitas and an absurd joke in the middle—everything I love about Bojack Horseman. DAVID M LEAN