Prog

CHEER-ACCIDENT

Mortal combat with Chicago’s most adventurou­s.

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Making a career of being radically experiment­al is tough. Any guitar band off the deep end of the avant-garde has recourse to noise rock and its many sub/sister genres, but outside of that, recording album after album of wildly experiment­al tracks, let alone coherent ones, isn’t easy. For this reason bands like Cardiacs are rightly revered, and on this, their 18th album, Chicago’s Cheer-Accident show that Tim Smith’s group do not hold a monopoly. Sprawling opener Language Is masquerade­s as downtempo indie rock with some jazzy tendencies before degenerati­ng into looped white noise, much like some of Steven Wilson’s early solo sketches. Immanence is an almost St Vincent-like fusion number, while the stop-start percussion and synthesise­r driven second half of Falling World is strangely catchy. Album highlight Lifetime Guarantee offers something more recognisab­ly rocky, even evoking early Yes. Angular synthesise­r is offset by groove-driven rhythmic strangenes­s and offset by melodic vocals. The Krautrock-y final section, immediatel­y following a vocal break that reaches Knifeworld levels of excess, is a peak, and a satisfying conclusion to a highly eccentric song. AL

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