Q (UK) - - Incoming -

The great­est film scores and sound­tracks are much more than mu­si­cal dec­o­ra­tion: they are as im­por­tant, un­for­get­table and ir­re­place­able as any char­ac­ter. Never more so is this true than in the thriller genre. Whether it’s Cameron Crowe es­tab­lish­ing the vivid tone of Vanilla Sky with Ra­dio­head’s Kid A clas­sic Ev­ery­thing In Its Right Place, or the stab­bing strings of Bernard Her­rmann’s Psy­cho score su­per­charg­ing the ab­ject ter­ror of Al­fred Hitch­cock’s mas­ter­piece, mu­sic is cen­tral to the thriller ex­pe­ri­ence.

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