The Courier & Advertiser (Perth and Perthshire Edition)

The fear factor

With the Dundead horror film festival just around the corner, Caroline Lindsay gets into character to feel the fear and finds out why we love being scared out of our wits

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I’m lurching through a graveyard, blood dripping from my jaws, as I look for human prey to sink my zombie teeth into.

Luckily for the startled denizens of Dundee, it’s all make-up and make-believe: along with colleagues Gayle and Mike, I’ve been transforme­d into one of the undead by the talented team at Castle Horror to get in the mood for Dundead, the DCA’s horror film festival which runs from May 10-13.

Fear is a funny thing. The Oxford Dictionary defines it as “an unpleasant emotion caused by the threat of danger, pain or harm.” And yet, judging by the hundreds of folk who head to Dundead each year, it’s an emotion many of us are desperate to experience.

Dundead, in its eighth year, promises a “bloody good time”. Chris O’Neill, the festival’s programmer, knows why. “Horror movies can take you on a rollercoas­ter ride, put you through an emotional, visceral experience that you’re reacting to while not necessaril­y thinking too much about it,” he muses.

“That said, I don’t think enjoying horror films is always just down to being frightened. Seasoned horror fans can enjoy the films for a variety of reasons – the quirky sense of the absurd, outlandish black comedy, relentless­ly dark subject matter, an interestin­g take on a well-worn formula, or sometimes there’s a movie that has all of these elements.”

A case in point is Chris’s favourite flick – the original Dawn of the Dead, directed by the iconic George A Romero.

“I originally saw this on video when I was about 11 or 12 and it was heavily censored, but I loved every minute,” Chris recalls.

“I watched that movie several times and, after the action, violence and zombie business, I started to notice the satirical touches about American consumeris­m, and it was a real eye opener to realise a movie was doing that.”

Dundead runs over four days. While the movies are generally horror-themed, anything fantastica­l, crazy or outlandish can be screened, too. The programme is a mixture of previews of exceptiona­l new and upcoming movies, and bigscreen outings of cult classics.

With a history stretching back to the late 1890s, the horror film is one of the most popular movie genres. There are countless horror flicks out there, from good to bad, to downright awful. So how does Chris choose films for Dundead?

“With the previews of new and upcoming movies we try to highlight not only quality movies people will enjoy, but also have some variety,” he said.

“Referring to this year’s programme, The Cured is a socio-political zombie movie from Ireland, while Vampire Clay is an over-the-top, old-school gorefest from Japan.

“M.F.A. is an American revenge thriller with a feminist slant, while A Prayer Before Dawn is a brutal prison drama set in Thailand which is based on a true story,” he continues.

“When it comes to old movies, we try to go for classics that many of our audience members may have seen

Seasoned horror fans can enjoy the films for a variety of reasons – the quirky sense of the absurd, outlandish black comedy...

before, but probably never on the big screen.

“This year there is a Tobe Hooper retrospect­ive – he directed the original The Texas Chain Saw Massacre from the ’70s – 1932’s The Old Dark House, and the Jim Henson fantasy The Dark Crystal, which many people grew up watching on video in the ’80s.”

So what is the difference between a good horror movie and a bad one? Inveterate gore guru Kevin Crighton admits that while a good horror film doesn’t have to be truly original, the story needs to be well written with characters you care about.

“If the audience doesn’t care about the characters, they won’t care about what they go through. The recent film A Quiet Place is a terrific example of that.”

“A good horror needs more than jump scares. Any film can make you jump in your seat but there has to be a sense of dread building throughout. Don’t get me wrong, I find jump scares fun, but a good horror will challenge you and won’t always give you an easy ‘out’ at the end,” the Hammer Horror and John Carpenter fan says.

Thriving on all things horror, video games tester Tom Clark joined Dundee events company Castle Horror where he can indulge his zombie alter ego to his heart’s content.

“But it’s not all undead,” he explains. “Horror in general is just so great and so wide-ranging that I could never limit myself to just these shambling monsters. The Evil Dead movies, Wolf Creek, Friday the 13th, John Carpenter’s The Thing, Alien, Get Out, SAW – these are all fantastic horror movies that have, in no small way, shaped who I am today.”

Tom reckons that some people enjoy being scared.

“It’s something primal I guess, something evolved from earlier times when mankind was in constant danger from wild animals and so forth,” he reflects.

“People need to be scared – to know that they cannot just take life for granted, that they need to be alert. Horror media takes this to an extreme and often comical length, but a great horror movie depends far more on the audience than the director because everyone scares differentl­y.”

Like Kevin, Tom is excited by this year’s programme.

“I’m really looking forward to

The Texas Chainsaw Massacre. Can you believe that I’ve never seen this legendary film – shocking!”

Local film-maker Duncan Nicoll’s short film TVOD will kick off Dundead. Telling the tale of a simple night in front of the telly gone bad, it was made for FrightFest’s 90 Second Challenge and was one of four entries selected to screen at Glasgow Internatio­nal Film Festival earlier this year and FrightFest in London this summer.

“I’ve been going to see films at Dundead for a few years now, so I’m dead chuffed that TVOD will screen before the opening film,” said Duncan.

“All the shorts I’ve made have had a horror element to them, but TVOD is probably my straightes­t attempt at the genre. I think with any film, story and character are the most important elements, and a big part of the horror genre is to create atmosphere and build tension. Lots of films stick to the many convention­s and clichés in the horror genre, so a good original idea always helps. It’s great to see something new that hasn’t been done before.”

Meanwhile, back to the graveyard and as I shamble around in my role as monstrous mother-in-law with zombie bride Gayle, complete with prosthetic facial laceration­s, and ghastly groom Mike, we can’t help feeling just a little bit of power as we elicit various reactions from innocent passers-by – their eyes betray hesitation, wariness, nervous amusement and, yes, downright fear.

Carrol Douglas-Welsh, founder of Castle Horror, comments: “Our biggest weapon is our understand­ing of the psychology of fear and how to harness and induce physiologi­cal responses to scares through the power of the mind and its imaginatio­n.”

Sherlock Holmes creator Sir Arthur Conan Doyle believed that ‘where there is no imaginatio­n there is no horror’. So if you want to give your imaginatio­n a good workout with bucket-loads of horror, head to Dundead for your own exploratio­n of fear.

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 ?? Pictures: Kim Cessford ?? Caption in here... Clockwise from top left: Kevin Crighton checks out the horror films at the DCA; Mike gets a prosthetic scar applied: Gayle’s horror bride transforma­tion is almost complete; a scene from Duncan Nicoll’s short film TVOD; a still from...
Pictures: Kim Cessford Caption in here... Clockwise from top left: Kevin Crighton checks out the horror films at the DCA; Mike gets a prosthetic scar applied: Gayle’s horror bride transforma­tion is almost complete; a scene from Duncan Nicoll’s short film TVOD; a still from...
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