The Daily Telegraph

GET SET FOR LONDON FASHION WEEK MEN’S

It’s home-grown designers who are creating styles men want to wear, says Stephen Doig

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It’s a particular­ly British trait; to think of pragmatism and practicali­ty over all. That stiff upper lip might be on the wane (a good thing, if you ask me) but it’s stout British grit that’s seen the country through its darkest hours, and in a very different manner, informs the decision of a kid from Clapton to scrabble together friends, family, shrapnel from the back of the sofa and a heap of talent and put on a fashion show. At a time when art school funding is in crisis it’s admirable that any young graduate should want to strike out on their own.

Which is why, when brands such as Burberry and Alexander Mcqueen have decided, for now, to duck out of London Fashion Week Men’s – the bi-annual men’s fashion showcase – it’s encouragin­g that spirited young designers are filling their places; Edward Crutchley, Daniel Fletcher and Bobby Abley all create bold, left-of-centre clothes that stand out in a sea of greige. In the world of men’s fashion, London has always been a peculiar microcosm; a fashion landscape where the traditions of tailoring are the most exalted in the world, while at the same time nurturing diverse new talent. No other city could have given us both Jermyn Street and The Blitz club; sartorial hubs both of them.

But away from out-there theatrical­ity, London Fashion Week Men’s also deftly demonstrat­es the ability of British designers to create solid, proper clothes that men want to wear. Oliver Spencer has always been at the forefront of this, tiptoeing a fine line between formality and casual with suits that are more soft-structure and contempora­ry interpreta­tions of the blazer.

Another brand specialisi­ng in solid dependabil­ity, albeit with a whimsical touch, is Lou Dalton; the designer has made fantastic knitwear in zinging colours, easy, breezy shirting and pitch perfect bomber jackets mainstays in her collection­s. Through Christophe­r Raeburn’s Remade initiative the designer re-purposes and recycles materials to make for a style statement with a conscience.

Among the more elder statesmen labels, there’s also a pull towards clothes that serve a purpose – all the more evident in Belstaff ’s durable, heavy-duty outerwear and dynamic vigour. Kent & Curwen might be a relative newcomer, after Botox levels of rejuvenati­on by co-owner David Beckham and designer Daniel Kearns, but it’s actually a brand with an incredible history and its current offering marries that past with a punchy present. Stay tuned for what unfolds during London Fashion Week Men’s in these pages; brogues are polished and shirts are starched in anticipati­on.

 ??  ?? Team colours: Kent & Curwen’s take on sporting style
Team colours: Kent & Curwen’s take on sporting style
 ??  ?? Remade bomber jacket, £298 (christophe­raeburn.co.uk) Ariel motorcycle jacket, £425 (belstaff.co.uk) Lou Dalton x John Smedley sweater, £295 (johnsmedle­y. com)
Remade bomber jacket, £298 (christophe­raeburn.co.uk) Ariel motorcycle jacket, £425 (belstaff.co.uk) Lou Dalton x John Smedley sweater, £295 (johnsmedle­y. com)
 ??  ?? Theobald jacket, £183 (oliverspen­cer.co.uk) Kent & Curwen polo shirt, £105 (mrporter.com)
Theobald jacket, £183 (oliverspen­cer.co.uk) Kent & Curwen polo shirt, £105 (mrporter.com)
 ??  ?? Edward Crutchley vine print shirt, £240 (farfetch.com)
Edward Crutchley vine print shirt, £240 (farfetch.com)
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