The Scotsman

IN BRIEF

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The Answers Catherine Lacey Granta, £12.99

Chronic pain sufferer Mary Parsons begins an unorthodox treatment that offers long-overdue relief from the symptoms which have stopped her from leading a normal life. In order to cover the costs, she applies for a mysterious job, and finds herself employed as the “Emotional Girlfriend” to movie star Kurt Sky. As one of several women employed to meet the needs of the A-lister – alongside a Maternal Girlfriend, Anger Girlfriend and obtusely named “Intimacy Team” – Mary must offer nurturing and support at scheduled intervals. However, as her feelings develop into something real, their relationsh­ip shifts, and leaves Mary questionin­g the fundamenta­ls of love.

Intriguing, if slightly over-cooked.

Conversati­ons with Friends

Sally Rooney Faber & Faber, £14.99

Sally Rooney’s gripping debut novel tells the story of 21-year-old Frances, an aspiring writer, living, but defiantly not working, in Dublin, with her friend (and sometimes girlfriend) Bobbi. It establishe­s the importance of female friendship, the allconsumi­ng nature of first love, and the difficulty of navigating your way through your 20s, both politicall­y and emotionall­y. Frances embarks on an affair with an older married man, but refreshing­ly Rooney’s writing remains non-judgmental. The novel is so littered with references to modern popular culture that at times it reads like a hipster Mills and Boon,

by Kate Whiting

but it’s an addictive read all the same.

Book of Untruths

Miranda Doyle Faber & Faber, £14.99

Miranda Doyle faces up to some of the ghosts in her family’s past in this witty and engaging memoir. The Scottish writer tells the story of her life through a series of lies, while exploring the wider human nature to fib. One of four children, she grew up in Edinburgh and endured a harsh, and at times harrowing, upbringing, left scarred by boarding school and a volatile family life. Each short chapter looks at the lies told either to, or by Doyle, and those around her. While often veering towards self-therapy, it is not a self-pitying account and Doyle’s humour and honesty make for a refreshing­ly original debut.■

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