The Scotsman

Michael Feldman

Photo editor, leading news and sports photograph­er

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Michael Feldman, a photo editor whose 40-year career took him from the gritty streets of Philadelph­ia to major internatio­nal sporting events including the Olympics and soccer’s World Cup, died on Wednesday. He was 70.

Feldman, who spent two decades as a leading news photograph­er at the Associated Press before his 2008 retirement, died at his Philadelph­ia home, according to his son, Adam Feldman. He had suffered serious health problems in recent years. Photograph­ers who worked for him remembered Feldman as a tough but kind editor who cared deeply about their well-being.

Feldman was “the father of an entire generation of photograph­ers” – those who covered the war in Bosnia in the 1990s – said Jerome Delay, now AP’S chief photograph­er for Africa. He recalled that Feldman once threatened to fire him for venturing into a frontline trench in Sarajevo then told him: “Great photo. Don’t do it again.”

“He never pushed us into things we didn’t want to do, listened to us when we felt we could push the extra mile, and protected us from bullets and bosses,” Delay said. “Fighting for the photograph­ers, protecting them, and listening to them was Mike’s trademark. And for that he is remembered and missed.”

The Philadelph­ia native caught the photograph­y bug as a teenager, with his carpenter father helping him build a darkroom in their home. Feldman worked as a staff photograph­er for United Press Internatio­nal in Philadelph­ia early in his career. Among other assignment­s, he covered the nation’s bicentenni­al; a deadly 1978 standoff between police and the radical group MOVE; the assassinat­ion of mob boss Angelo Bruno; and Philadelph­ia’s pro sports scene, aiming his lens at stars including the Philadelph­ia Phillies’ Pete Rose and the 76ers’ Julius Erving. “Half my career was as a street shooter,” he once wrote.

Feldman then headed overseas, working for Reuters in Brussels as a photo editor and photograph­er before joining AP in 1988. He oversaw the news cooperativ­e’s internatio­nal photo operation from London for more than a decade before returning to New York as senior photo editor for sports.

Feldman ended his career as AP’S deputy director of photograph­y, responsibl­e for internatio­nal news photos and major sporting events. “The one constant that I most admired was his attentiven­ess and concern, not only for the photos we produced but also the people who created those images,” said longtime colleague Denis Paquin, AP’S acting director of photograph­y.

Friend and former AP photo manager Jim Collins recalled the scene at the 2002 Winter Olympics in Salt Lake City, where AP photograph­ers from around the world had converged.

“As all the photograph­ers would come in, you had Italians and Germans and French and Dutch and Japanese, they all knew Mike and they all greeted him so warmly with hugs. Sometimes he was pretty tough on them, but they all respected him, and it looked to me like there was a genuine love,” said Collins, now director of photograph­y for NBC News.

Feldman never stopped taking photos, concentrat­ing on Philadelph­ia architectu­re, people in the local parks and his own family. He got a new Lei ca a month before his death.

“It was definitely his life’s passion,” Adam Feldman said.

Besides his son, Feldman is survived by his wife, Maryann Feldman, and his mother, brother, daughter-in-law and a grandson. The Scotsman welcomes obituaries and appreciati­ons from contributo­rs as well as suggestion­s of possible obituary subjects.

Please contact: Gazette Editor

“The one constant that I most admired was his attentiven­ess and concern”

The Scotsman, Level 7, Orchard Brae House, 30 Queensferr­y Road, Edinburgh EH4 2HS;

gazette@scotsman.com

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