The Scotsman

Taking mini to the max: Mary Quant gets the V&A swinging again

- By BRIAN FERGUSON Arts Correspond­ent brian.ferguson@scotsman.com

She was the trailblazi­ng designer credited with transformi­ng the fashion industry in Britain in the aftermath of the Second World War.

Now a vibrant celebratio­n of 1960s icon Mary Quant has become the first major display to be unveiled in Scotland since museums and galleries were forced to close by the pandemic.

V&A Dundee’s show, which launches today to coincide with there opening of the waterfront attraction after five months, will recall how Quant’ s early designs and her first boutique caught the imaginatio­n of young women in London as it emerged from post-war austerity.

Now the bright and bold colours of V& A Dundee’ s first ever fashion exhibition, which was partly installed at the museum when it was forced into lockdown, are set to help boost the city’s own standing as it emerges from lockdown.

Spanning 20 years, from the opening of Quant’s celebrated first shop, Bazaar, in Chelsea in 1955, the V&A show recalls how she went from making dresses to becoming one of the influentia­l figures in both fashion and feminism of the era, with her clothes modelled by iconic “Swinging Sixties” models such as Twiggy and Jean Shrimpton.

The exhibition explores how Quant’ s stores and designs helped turn clothes shopping into a leisure activity, with the King’s Road in Chelsea - where she had her first shop - becoming “an open-air catwalk”.

The show features everything from her classic miniskirts, hot pants and colourful tights to her subversion of traditiona­l men’s suits and military uniforms into outfits aimed at young women, and her child like and androgynou­s designs, which turned waist coats, suits, trousers and caps into fashionwea­r for women.

Among the highlights are PVC rain coats, platform shoes, cosmetics and a sketchbook made when Londonborn Quant was just 14.

There is also a display devoted to the Daisy doll and outfit range Qu ant famously launched in the early 1970s with the tag line“The best dressed doll in the world”.

Heather Til bury, a former director of Quant’s company, has been an adviser on the exhibition, which was originally st aged at the V&A in London and will run in Dundee until January.

She said :“It’ s an amazing museum for the city. The design is so clever and the space they’ve got for the exhibition really allows you to flow through it.

“When it was on in London, it was divided up between the austere post-war period on the ground floor and you then went upstairs for everything from the 1960s on.

“The exhibition here shows how everything developed much more chronologi­cally and they’ve really been able to juxtapose her colours and stylings. Also, not everything is in glass cases here, which is a huge advantage. It means people can get really close to the garments to see the attention to detail and the way things were finished.

“The exuberance, the fun and the energy which went into the garments is really projected in the way the exhibition has been designed here.

“It is undoubtedl­y a great fit for this museum, reallyle nd sit self so wonderfull­y to the future. Mary was always about ‘Let’s go on, let’s do something different, let’s broaden what we’ve got’. She had a very futuristic philosophy. She was always wanting to be doing something different and moving forward.

“When Mary opened Bazaar in 1955 there was nothing else in fashion quite like it. Young people were still dressing like their mothers, wearing twin sets and pearls. Her shorter and shorter skirts gave young women a sense of freedom, they could go to work and then go straight out in the evening. It was all about flexibilit­y. “

VA& Dundee curator Kirsty H ass ards aid :“We were very fortunate because the exhibition had been built in March and we had all them annequins on site. There was huge anticipati­on around this show anyway, because it was our first fashion exhibition, but

“The exhibition is undoubtedl­y a great fit for this museum, really lends itself so wonderfull­y to the future.”

HEATHER TILBURY

being closed for five months has really accelerate­d the need for something like this, which is just so bold, bright and colourful.

“I think it’ s already really caught the attention of people in Dundee – so many of them are excited that the city has managed to get an exhibition like this.

“Fashion is such an important par t of design – it’s not just frivolous, it strikes a chord with so many aspects of our lives. Mary Quant came in at a time of real social change and is able to capture that moment and turn it into clothes that women really wanted to wear.

“There had not been anyone like her before she came along. She was a visionary, she was a revolution­ary and such an iconic figure in British fashion.”

 ??  ?? 0 Heather Tilbury has worked as an official adviser on a new exhibition celebratin­g the work of 1960s icon Mary Quant that will launch the reopening of the V&A Dundee today. It is the first major exhibition to be unveiled in Scotland since museums and galleries were forced to close due to coronaviru­s.
0 Heather Tilbury has worked as an official adviser on a new exhibition celebratin­g the work of 1960s icon Mary Quant that will launch the reopening of the V&A Dundee today. It is the first major exhibition to be unveiled in Scotland since museums and galleries were forced to close due to coronaviru­s.
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 ??  ?? 2 The V&A Dundee exhibition. Top: Mary Quant with models showing her shoe designs and, above, she selects fabric for a collection in 1967. Below: Twiggy in front of a Union Jack in 1966
2 The V&A Dundee exhibition. Top: Mary Quant with models showing her shoe designs and, above, she selects fabric for a collection in 1967. Below: Twiggy in front of a Union Jack in 1966

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