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Bond sets his sights on a beau­ti­ful killer

Suc­ceed­ing Roger Moore, Timothy Dal­ton’s de­but as 007 isn’t half bad, and the film also marks the fi­nal time com­poser John Barry worked on the se­ries. It’s a rather old-school story – James Bond dis­cov­ers that there’s more to a Rus­sian gen­eral’s de­fec­tion than meets the eye and he gets in­volved with a beau­ti­ful cel­list-turned as­sas­sin, too – but it’s packed with ac­tion, a great snow chase and a fine sup­port­ing cast, par­tic­u­larly Art Ma­lik’s Afghan rebel.

Dir: John Glen 1987, PG, 165min

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