UNCUT

ALEX CHILTON

A Man Called Destructio­n 7/10 Big Star leader’s mid-’90s reinventio­n

- (reissue, 1995) ALASTAIR McKAY

Alex Chilton’s career after Big Star was inconsiste­nt – perhaps wilfully – but deserves reappraisa­l. Chilton had a perverse side, and his solo work was loose to the point of dishevelme­nt – almost as if he was attempting to undermine arguments about his own artistic significan­ce. this album, augmented here with seven (even) looser tracks, dates from 1995, when Chilton had reformed Big Star. A singer-songwriter tour with Guy Clark and townes Van Zandt led to the jazzy covers album, Clichés, which then took him back to Big Star’s home studio, Ardent in Memphis, for a more studied rock’n’roll album on which Chilton’s bar-band instincts were augmented by a horn section, anchored by Jim Spake on tenor sax and Stax session man Nokie taylor on trumpet. tightness, for Chilton, is a relative concept, but the band adds depth to Chilton’s sketchy vocals, while leaving room for some fiery guitar. the highlight is the swinging “Don’t Stop”, run close by the astrologic­ally playful “What’s Your Sign Girl?” and the surf rush of the Jan & Dean hit “New Girl In School”. Also worth noting, the backing chant of “Satan rules” on the playful “Devil Girl”. Extras: 7/10 Seven unissued tracks, liner notes by Bob Mehr, initial vinyl is translucen­t blue.

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