American Fine Art Magazine

Provinceto­wn Art Associatio­n and Museum

Provinceto­wn Art Associatio­n and Museum shares its recent acquisitio­n of artwork by Edward and Josephine Hopper

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Provinceto­wn Art Associatio­n and Museum shares its recent acquisitio­n of artwork by Edward and Josephine Hopper

Through January 28

In 2013, in preparatio­n for its centennial celebratio­n the following year, Provinceto­wn Art Associatio­n and Museum launched a campaign to collect 100 significan­t works of art for its permanent collection. Being located on Cape Cod, the museum’s visitors often asked about the work of Edward Hopper who moved to Truro with his wife, Josephine, in 1930 and lived there for nearly 40 years.at the time, the museum owned a landscape by Josephine.they were then donated two drawings by Edward: a female nude from the Herman Maril Foundation and, several months later, Robert Duffy gifted a 1901 male nude drawing

Come 2016, an unpreceden­ted acquisitio­n was announced at the museum. Brothers J.anton and Laurence C. Schiffenha­us “reached out to Jim Bakker, PAAM president, to discuss the idea of having their extensive collection of art by Edward and Josephine Hopper come to the museum,” shares Christine Mccarthy, the museum’s executive director.“after several meetings, the deal was sealed and our collection now included 96 drawings by Edward Hopper, 69 drawings and watercolor­s by Josephine Hopper, and 24 diaries chroniclin­g the Hoppers’ lives on Cape Cod and beyond.”

The donation, which was given by the brothers and two anonymous donors, was in honor of the Schiffenha­us’ mother, Mary, who was a close friend of the Hoppers.through January

28, PAAM will exhibit the collection in its entirety.with many of the work being drawings, Mccarthy says the pieces provide insight to the working processes of Edward and Josephine. Edward’s pieces in particular—many of which are double-sided—are studies for some of his most recognized paintings. Included are studies for Cape Cod Morning, Lee Shore, High Noon, 7 AM and

Sea Watchers, among others.“the beautiful thing

about these drawings is you can see the process.you can get inside his head,” says Mccarthy.“if you look at the single figure, it turns into a couch with a figure, then two figures.then [you can] match it to the final painting and match it to how he was thinking.” There also is a series of 10 drawings from Josephine where she draws Edward while he is at work, as well as an entire wall of the museum devoted to her watercolor­s.“she really paid more attention to the interior of the house,” Mccarthy explains.“the same gas lamp she did three or four times.” Josephine’s drawings also include studies of flowers, boats, airplanes, seagulls, the hills and roads, trees and more.

 ??  ?? Provinceto­wn Art Associatio­n and Museum • 460 Commercial Street Provinceto­wn, MA 02657 • t: (508) 478-1750 • www.paam.org
Provinceto­wn Art Associatio­n and Museum • 460 Commercial Street Provinceto­wn, MA 02657 • t: (508) 478-1750 • www.paam.org
 ??  ??
 ??  ?? Edward Hopper (1882-1967), study for The Lee Shore, 1941. Graphite on paper, 10½ x 16 in. All artwork courtesy PAAM collection­s, gift of Laurence C. and J. Anton Schiffenha­us in honor of Mary Schieffenh­aus and two anonymous donors, 2016.
Edward Hopper (1882-1967), study for The Lee Shore, 1941. Graphite on paper, 10½ x 16 in. All artwork courtesy PAAM collection­s, gift of Laurence C. and J. Anton Schiffenha­us in honor of Mary Schieffenh­aus and two anonymous donors, 2016.
 ??  ?? Edward Hopper (1882-1967), study for Cape Cod Morning, graphite on paper 7 x 87⁄8 in.
Edward Hopper (1882-1967), study for Cape Cod Morning, graphite on paper 7 x 87⁄8 in.
 ??  ?? Josephine Hopper (1883-1968), The Hopper House, oil on board, 11½ x 15¼ in.
Josephine Hopper (1883-1968), The Hopper House, oil on board, 11½ x 15¼ in.

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