Meet­ing of the Mas­ters

Animation Magazine - - Spotlight -

The best and bright­est are pre­par­ing to de­scend on Ma­rina del Rey for the fourth an­nual World An­i­ma­tion and Vis­ual

Ef­fects Sum­mit, set for Nov. 2-4.

The World An­i­ma­tion and Vis­ual Ef­fects Sum­mit is gear­ing up for its fourth edi­tion, set for Nov. 2-4 at the Cal­i­for­nia Yacht Club in Ma­rina del Rey, Calif.

The in­ti­mate event of­fers one of the best venues for mak­ing con­nec­tions with an­i­ma­tion and vis­ual ef­fects pro­fes­sion­als from all around the world over an in­for­ma­tive, in­tense and re­ward­ing three days.

The sched­ule in­cludes top-level speak­ers and ex­perts from ev­ery as­pect of the busi­ness de­liv­er­ing key­note ad­dresses, par­tic­i­pat­ing in panel dis­cus­sions and mix­ing and min­gling at in­for­mal gath­er­ings.

The first day of the event will be capped with a gala party honor­ing the best and bright­est in the an­i­ma­tion and vis­ual ef­fects in­dus­tries. Pre­vi­ous events have been among the most mem­o­rable and fun in­dus­try dos of the year, as­sem­bling a uniquely A-list col­lec­tion of pro­duc­ers, film­mak­ers, voice ac­tors, stu­dio ex­ec­u­tives and vis­ual ef­fects artists. And this year prom­ises to be no dif­fer­ent.

New to this year is the ad­di­tion of master classes on the third day of the sum­mit. The first to be an­nounced is a ses­sion with Jose San Ro­man, founder and chief cre­ative of­fi­cer of Ilion An­i­ma­tion Stu­dios in Madrid, Spain. Ro­man’s class will speak to an­i­ma­tion be­ing a new as­set class in the fi­nan­cial com­mu­nity and to is­sues that most in­vestors and stu­dio

Phil Ro­man, 2014 Life­time Achieve­ment Award re­cip­i­ent ex­ec­u­tives are un­aware of.

The class will ben­e­fit from Ro­man’s ex­pe­ri­ence speak­ing to a wide global fi­nan­cial com­mu­nity and turn­ing Ilion into a suc­cess­ful world­wide an­i­ma­tion stu­dio that has pro­duced the 2009 fea­ture Planet 51. Cur­rently part­nered with Para­mount, Ilion has evolved into a mul­ti­pro­duc­tion stu­dio, aim­ing to pro­duce var­i­ous fea­ture films con­cur­rently in or­der to meet the grow­ing global de­mand for top-qual­ity dig­i­tal con­tent.

All of which should per­fectly com­ple­ment sum­mit pro­gram­ming in which an­i­ma­tors and VFX artists ex­plain their cut­ting-edge tech­niques, tech de­vel­op­ers show off their new­est tool sets for get­ting the job done, and pro­duc­ers and ex­ec­u­tives talk about all the best ways to use an­i­ma­tion and vis­ual ef­fects con­tent in the mar­ket­place and max­i­mize its suc­cess.

Among the con­firmed speak­ers for this year’s event: Michael Hirsh, chair­man of The En­ter­tain­ment And Media Fi­nance Group, a Cana­dian fi­nan­cial ad­vi­sory ser­vice for small to mid-size pro­duc­tions. Hirsh also is vice chair­man of DHX Media and for­mer CEO of Cookie Jar and Nel­vana. Delna Bh­e­sa­nia, man­ag­ing di­rec­tor and part­ner

of Bardel En­ter­tain­ment. Sarita Christensen, CEO, founder and owner of

Copenhagen Bom­bay in Den­mark. Wang Lei, chair­man and se­nior VP of Mr. Car­toon Pic­tures, a sub­sidiary of U Young Media Group, and fo­cuses on an­i­ma­tion movie fi­nanc­ing, pro­duc­tion and op­er­a­tion. Greg Agostinelli, vice pres­i­dent at Epica USA. Ka­te­rina Pshen­it­syna, in­ter­na­tional dis­tri­bu­tion

man­ager for Moscow-based Wizart An­i­ma­tion. An­dres Reyes Botello, founder and pres­i­dent of

Boxel An­i­ma­tion Stu­dio. Peter Gal, ex­ec­u­tive pro­ducer at DreamWorks

An­i­ma­tion Tele­vi­sion Jeremy Zag, co-founder Zag Stu­dios and Zag

toon. Chuck Peil, VP of busi­ness de­vel­op­ment and strate­gic part­ner­ships for Reel FX An­i­ma­tion Com­pa­nies set to par­tic­i­pate as spon­sors in­clude: Atomic Car­toons, CelAc­tion, DreamWorks An­i­ma­tion Tele­vi­sion, Blue Sky, Nat­u­ral Tal­ent, Sony Pic­tures An­i­ma­tion, Ilion An­i­ma­tion Stu­dios and Wizart An­i­ma­tion. More spon­sors are ex­pected to

Pre­sen­ter Craig Fergu- be an­nounced shortly.

An­i­ma­tion projects set to be high­lighted with film­maker ap­pear­ances in­clude Blue Sky Stu­dio’s The Peanuts Movie and Aard­man An­i­ma­tion’s Shaun the Sheep Movie.

The sum­mit is the best venue for meet­ing and con­nect­ing with stu­dio ex­ec­u­tives; in­ter­na­tional man­ag­ing di­rec­tors, pro­duc­ers, di­rec­tors; dis­trib­u­tors; vis­ual ef­fects su­per­vi­sors and artists; an­i­ma­tors; fi­nanciers; agents; writ­ers and tal­ent.

These are the peo­ple who de­fine and fa­cil­i­tate the movies, TV shows and new media that will grace An­i­ma­tion Mag­a­zine’s cov­ers and pages in the years to come — you can’t af­ford to miss out.

Fur­ther in­for­ma­tion on at­tend­ing the sum­mit, in­clud­ing ticket info, can be found online at an­i­ma­tion­­mit. A lim­ited num­ber of tick­ets are avail­able at a 10 per­cent dis­count to mem­bers of WIA, VES, ASIFA, An­i­ma­tion Guild, OBS and the WGA. Due to the lim­ited ca­pac­ity of the venue, this event usu­ally sells out quickly, so buy­ing tick­ets in ad­vance is highly rec­om­mended. [

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