The Cabin at Point Reyes
A family fixes up a dilapidated, at-risk 1905 cabin in the woods, respecting local building custom as they create a retreat on the wild coast.
wHEN MOLLY AND SETH ROSEN were undergraduates at Berkeley, a favorite escape was hiking in the scenic Point Reyes National Seashore north of the Bay Area. Later they dreamed of having a vacation house here, a quiet place for bird watching walks with their children, Caleb and Ellie. In 2011, they came upon a rustic cabin for sale in the village of Inverness. “The living room and a bedroom were entirely clad in redwood,” Molly says. “Those rooms, and the spectacular views, made us fall in love with it.” The 1905 hunting cabin was built from native redwood, using plank construction. It had only two bedrooms, but there was extra sleeping space. But “to be honest,” the couple agree, “it was in nearly teardown condition.” After being condemned in 1982 when a mudslide weakened the hillside, the site had been repaired and the cabin partially restored. But the rudimentary post foundation was failing and the house was noticeably tilted and bowed. There was little insulation; rooms were often cold and drafty. Aluminum-framed windows added in the 1980s all but obscured the views. The brick chimney was unsafe, with mortar crumbling
and daylight visible through cracks. Electrical and plumbing were not up to code, and the original cesspool, a redwood box buried in the hill, was still in service. Immediately they installed a new septic system, and had the overgrown ivy and diseased trees cut back. At the same time they researched the history of the “Old Inverness” style of summer cabins, even knocking on neighbors’ doors for a look. Architect Ronald Casassa helped them develop a historically appropriate plan for restoration. They demolished the termite-infested deck and newer additions, and raised the house to allow installation of a new foundation of 35 concrete piers drilled into granite. “We’re on the fault,” Molly says, “so we had to start by lifting the house for a new foundation. We put it back down on the 25th anniversary of the Loma Prieta earthquake, a sobering reminder of why we needed to make the cabin structurally sound.” Now there’s a lower floor, built using salvaged old-growth redwood from storage rooms and large fir beams from a salvage lumberyard.
To protect the old redwood walls, they built an exoskeleton around the house and then installed wiring and insulation. Interior walls were lightly sandblasted to remove a century of smoke and grime, and left to mellow naturally. The exterior was sheathed in Hardie Shingle siding that closely resembles the Old Inverness look, but is made of fireproof fiber-cement. (The cabin is in a Wildland–Urban Interface Zone that has construction restrictions due to a wildfire threat.) Marvin’s
Integrity brand windows were chosen for their wood interior and fiberglass exterior, which would withstand the corrosive saltwater environment. In the redwood living room, the main change is the Pewabic tile fireplace.
The kitchen had been redone in the 1980s with vinyl flooring and blue laminate countertops. It was taken down to the studs. A six-foot-wide alcove added to the southwest end of the room holds a salvaged farmhouse sink and drainboard; lit by a bank of clear glass skylights, the bay opened the room to the moss-covered canopy of coast live oak outside. The original fir floors under the vinyl were refinished, and natural Teixeira soapstone countertops installed. “The salvaged French door, which I painted red, came from Urban Ore in Berkeley,” Molly says. “We salvaged all the lower cabinets, adding new fronts and vintage hardware.” Bulky upper cabinets were replaced with open racks and a 1912 Hoosier cabinet. The modest center island has a practical, oval butcherblock top.
Furnishings are casual, an inviting mix of family antiques and comfortable American Arts & Crafts seating. A Russian brass samovar converted into a lamp by Molly’s grandmother joins an icebox from Seth’s grandmother, now used for storage.
“We commissioned a Berkeley artist to make the stainedglass window that mirrors the view outside. And a Petaluma carpenter, nearly 80 years old, lovingly built the plate rack that Seth designed. Brian Lee at Mendocino Doors made the entry door using reclaimed, old-growth redwood. The wallpaper frieze is from Bradbury & Bradbury—their factory is close by in Benicia, and I was able to meet them. So the best part of our project,” says Molly, “was celebrating the Craftsman philosophy of working with local craftspeople and motifs.” a
ABOVE The kitchen was enlarged with a six-foot-wide sink alcove. sintage touches include the farmhouse sink and a 1952 restored stove. The salvaged sliding pocket door was added to close off the laundry room beyond.
LEFT An antique oak eoosier is a charming way to add storage along with period appeal. RIGHT A stained-glass window depicting Tomales Bay, with native irises and poppies, lights the stairwell; the cast-iron chandelier is original to the cabin. then the house was lifted onto a new foundation, it got a lower floor, built using old-growth redwood from storage rooms and salvaged fir beams.
OPPOSITE In the redwood bedroom, the colorful Stacked-N-thacked layered quilt was made by Molly’s stepmother, Judy. ABOVE LEFT Seth oosen admits he always wanted a secret room, so he hid one under the stairs for his children. RIGHT In the guest bath, green 3"x 6" subway tiles and a reproduction hohler ‘Memoir’ pedestal sink have a vintage look.