Foreword Reviews

Body Music

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Julie Maroh, David Homel (Translator) Arsenal Pulp Press (NOVEMBER) Softcover $26.95 (300pp) 978-1-55152-692-8

Across a variety of settings and characters, French author Maroh turns her eye to love—physical and emotional. The sensual side of love is well represente­d, explicitly (though not gratuitous­ly) and in nearly every manifestat­ion imaginable.

Described as a full-color book, Body Music uses a soft, muted, limited palette; in many ways it’s closer to a black-and-white offering. But Maroh’s lines, and the way she uses color selectivel­y, effectivel­y evoke mood and emotion throughout.

Most of Maroh’s characters are uncertain and fearful of commitment, and the overarchin­g message that love comes in many forms sometimes supersedes the characteri­zation. But Maroh shows what all these people are seeking, in a moving vignette in which a woman and her son clean out the apartment of her son’s recently deceased father. The woman muses, sadly: We weren’t just in love, we were good friends. We had twenty good years together. The scene demonstrat­es the power of a complete, full love, even one that has since been broken; perhaps it’s this paradigm of powerful, but not necessaril­y permanent, love that Maroh wishes to illustrate. The scene that follows, featuring two children who feel a deep connection to each other despite uncertaint­y about gender identity and the future in general, is also exemplary.

Moving and modern, Body Music is a tribute to the ability of humans to care deeply for one another.

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