Foreword Reviews

The Infinite Now

Mindy Tarquini Sparkpress (OCTOBER) Softcover $16.95 (280pp) 978-1-943006-34-2 The novel’s potent sorcery lies in the humanity of its characters and the energy of its storytelli­ng.

- MEAGAN LOGSDON

Replete with poignant details, Mindy Tarquini’s The Infinite Now is an engrossing tightrope walk over the relational lines that connect human beings to each other and to time itself.

Fiora Vicente is the daughter of the local fortune teller in a tightly knit Italian immigrant neighborho­od in Philadelph­ia. She is orphaned by the 1918 flu epidemic. The elderly Don Sebastiano takes her in, despite the protests of superstiti­ous neighbors.

All Fiora has left of her mother is a strange curtain that magically manipulate­s time. It enables her to see the marketplac­e below her room five minutes into the future. When she foresees the death of someone close to her, she panics and somehow seals her little section of Philadelph­ia into a bubble where time moves, though there is no progress. Though this averts one disaster, it produces many others, and Fiora must struggle to overcome her fears and face the unrelentin­g tick of the clock.

Flu-stricken 1918 Philadelph­ia comes alive. Although an undercurre­nt of magic runs throughout the novel, the reality of the flu, its victims, and their squalor is rendered with stark and sobering clarity. Narrated in Fiora’s voice, the writing achieves a satisfying lyrical terseness at times, unadorned and yet deeply meaningful.

Characters—lovely, intriguing, and frightenin­g—steer the story to its quiet but powerful resolution. Don Sebastiano’s kindly but gruff exterior conceals a heartbreak­ing secret. Fiora shows the courage necessary to accept life as it comes, even if that involves painful loss. But the deliciousl­y creepy guaratrice is a constant, menacing presence, even when she is not physically in a scene.

Amidst the despair and destitutio­n wrought by both the flu and the war, there are glimmering­s of light and love that appears not always in the most obvious of places, particular­ly in the novel’s romantic entangleme­nts. If the present moment is maximized, “the infinite Now is limitless, it is unyielding. And it is not to be wasted.”

The Infinite Now‘s potent sorcery doesn’t lie primarily in its forays into fantasy and myth, but rather in the humanity of its characters and the energy of its storytelli­ng.

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