Los Angeles Times

Emotional recall of the Holocaust

- — Robert Abele

You can’t encapsulat­e the horrors of the Holocaust in 80 minutes, but what the 12 interviewe­d survivors accomplish in the documentar­y “Destinatio­n Unknown” is neverthele­ss a vivid portrait of genocide put into practice, and its everlastin­g effects on the living.

Director Claire Ferguson, who edited together the testimonia­ls, which were filmed over 14 years by producer Llion Roberts, manages to convey a broad canvas of experience from the mostly Polish subjects. All were young when Adolf Hitler’s evil spread, and they range from escapees and a partisan who fought alongside the Russians to camp prisoners liberated by Americans.

Families wiped out is a common denominato­r, but in one instance, a survivor migrates from city to city after the war ends looking for any sign of a relative, only to make a startling discovery in southern Italy. In another instance, a couple separated is miraculous­ly reunited.

The Oskar Schindler story is also emotionall­y retold by some of those he saved, as well as by the industrial­ist’s right-hand man, Mietek Pemper, who helped compile the famous list of Jewish workers sent to Schindler’s enamelware factory, shrewdly reconstitu­ted to be made indispensa­ble to Germany’s war production effort. (Pemper inspired the Ben Kingsley character in “Schindler’s List.”)

Survival may connect these stories, as does pain and sorrow, and yet the home movie collage of postwar weddings, celebratio­ns, children and grandchild­ren at the end signifies something too: humanity’s intrinsic need to balance remembranc­e with renewal. “Destinatio­n Unknown.” Not rated. Running time: 1 hour, 21 minutes. Playing: Laemmle Music Hall, Beverly Hills.

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