Stone, brick and a lot of wood make for one charming Cedarburg home.
A creative couple unearth lots of history in an 1858 Cedarburg home.
FOR A LONG TIME, the Lochers, who once owned a 650-square-foot cabin in Richland Center and a 6,000-square-foot pad in the Third Ward, were torn between city and country living. They found the best of both worlds in an 1858 home in Cedarburg, in a neighborhood bustling with artists like them – Joe transforms salvaged wood into furniture and owns a branding company, while Karen metalsmiths jewelry.
When the Lochers first saw the Cream City brick farmhouse, which once sat on 80 acres, one wintry day in 2008, Joe noted “great bones and a great soul.” Since they unpacked in November of 2009, they’ve sold both their other homes.
The 1,800-square-foot Cedarburg home was well-preserved but dated. So the Lochers set about renovating it, and they eventually added another 1,650 square feet of living space and a fourth bedroom in the style of a limestone barn.
They opened up the front stairwell “to reveal the bones of the structure a little more,” says Joe, and added thin-plank wood ceilings – and chandeliers that Karen designed – to many rooms.
The biggest challenge in writing this 160-yearold home’s second chapter was the kitchen. “We didn’t want one of those makeover kitchens,” says Joe. Instead, the couple sought to honor the period while incorporating modern conveniences. A hand-stenciled table that belonged to his grandparents, who emigrated from Hungary, is joined by wide-plank pine flooring (found under layers of wood and linoleum) and a Carrara marble countertop the couple scrubbed with lemons until it dulled. Backsplash tiles were crafted in Delafield, and a black granite countertop was quarried in Wausau.
By 2014, they’d built two timber-frame barns on the lot; one for each of their studios. Karen’s is connected to the original house via a winding hallway and hewn-cherry staircase that’s buttressed by the roots of a once-towering redwood that Joe smoothed down. “I was moved to tears [the day Joe showed it to me],” recalls Karen. Several smaller trunks, all sourced from western Wisconsin, shoot up through the floorboards of Karen’s studio, their forking branches supporting the studio’s vaulted ceiling.
Joe’s studio is in another, free-standing twolevel barn. Its all-over wood paneling and rustic finishes call to mind a cozy Northwoods cabin, or a tricked-out tree house. Reclaimed wood from a barn was used for the flooring, while more wood was turned into a desk.
The Lochers spend the most time in an addition to the back of the original house, where side tables Joe hewed from tree slabs and an armoire from a Tibetan monastery blend in with faux-fur throws. Karen’s sconces provide a soft glow, and French doors open to the yard, just a stone’s throw from the hustle and bustle of Cedarburg.