New York Magazine

David Duke Used to Be a Contender

The new season of Slow Burn charts his rise.

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white supremacy still finds purchase in these United States, and given enough oxygen, it will always come roaring back. This is the most pronounced idea in the fourth season of Slow Burn, which centers on David Duke’s rise in the late ’80s and early ’90s, when the former Klansman was elected to the Louisiana state legislatur­e and went on to mount serious runs for governor and the U.S. Senate.

Reported and hosted by Slate national editor Josh Levin, a Louisiana native who grew up watching the Duke phenomenon, this season of Slow Burn is a scorching listen. At first, it feels reminiscen­t of a convention­al study of how a politician assembled his base and worked to broaden his coalition. But, of course, Duke is no convention­al politician. He is an embodiment of evil who sought to tidy up and nearly succeeded in gaining considerab­le political power.

During his most active era, Duke’s fundamenta­l project was an effort to make racism acceptable (again) or at least sneak it in through the back door, according to Levin. There’s a distinct uncannines­s to

Duke even as he becomes mildly successful in his rebranding effort, and part of what makes Levin’s storytelli­ng particular­ly compelling is how he emphasizes that uncannines­s. Levin describes a visually youthful Duke who even gets facial surgery, disguising the ghoul underneath. (Duke has said the procedure was medically necessary.) He is capable of remarkable charm one moment before quickly transformi­ng into a snarling demon. He is a volatile figure, rich with the danger of uncertaint­y.

Duke’s reposition­ing allowed him to slither through the formal political system as an anti-tax Republican. The first three episodes focus on Duke’s winning some of those early battles, and Levin largely frames those instances from the perspectiv­e of those who lost: an Establishm­ent Republican stalwart Duke defeated to gain his first important political victory in 1989, a member of Louisiana’s Republican State Central Committee who tried to expose Duke and push him out of the party, and so on. Woven together, these early stories collective­ly make up a portrait of a failed “Never Duke” resistance.

This is where parallels could be drawn between Duke and Donald Trump, especially in their respective political arcs and what they stand for. There are big difference­s, obviously. One is a former Klan leader with a coherent ideology; the other is a racist opportunis­t who found political utility in white supremacis­ts. Duke ran for office several more times after the era examined in Slow Burn, including a 2016 campaign for the U.S. Senate, obtaining a meager percentage of the electorate each time. Trump, of course, found himself elected president in 2016.

Duke is alive and tweeting, and though he may have been pushed out of the convention­al political arena, the same can’t be said for his ideology. In eastern Washington, State Representa­tive Matt Shea forwarded an email from a group training young men in “biblical warfare,” and he was found to have participat­ed in “domestic terrorism” in a report comissione­d by the Washington State house of representa­tives. Meanwhile, President Trump recently retweeted (and later deleted) a video that contains a supporter yelling “White Power!”

All of which points to the grave reality that the problem of white supremacy will persist in this country. The former Klansman does not represent a meteor narrowly missing Earth, nor the current president a national anomaly, but a core aspect of the nation’s psyche that needs to be managed with constant vigilance. ■

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David Duke

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